Skip to content

Captive bodies

by Gwendolyn Audrey Foster · 1999

Cover of Captive bodies
Popularity 1

Captive Bodies examines the film industry's fascination with bondage and captivity, seeking to revisualize American cinema through the lens of critical discourse on captivity narratives, slave narratives, and postcolonial critiques of cinematic constructions of "whiteness," "blackness," gender, and sexuality. Captivity is also examined here in relation to both those in front and behind the camera. Are we "subject" to others? Are we "bound" and "captive" in images? Are we "captive" bodies and "captive" audiences, held hostage to the spectacles of voyeuristic pleasure? Are those behind the camera involved in a process not unlike that of the slave system, enslaving the body in the image? To answer these and other questions, Captive Bodies draws upon a wide range of critical methodologies, including postcolonial studies, feminist film criticism, anthropology, and phenomenology.

Captivity in motion picturesImperialism in motion picturesMotion picture industryMotion picturesPolitical aspectsPolitical aspects of Motion picture industryPolitical aspects of Motion picturesRacism in motion picturesSexism in motion picturesMotion pictures, plots, themes, etc.Motion pictures, political aspectsPERFORMING ARTS