1820s neologisms

loosely defined region in Central Asia

A cliché ( or ; ) is a saying, idea, or element of an artistic work that has become overused to the point of losing its original meaning, novelty, or figurative or artistic power, even to the point of now being bland or uninteresting. In phraseology, the term has taken on a more technical meaning, referring to an expression imposed by conventionalized linguistic usage.

thumb|Diorama used for the filming of Thomas & Friends television series

thumb|Caricature of American lawyer and socialite Ward McAllister (1855–1908) pointing [[Uncle Sam to "an English Snob of the 19th Century" and saying how he must imitate him or "you will nevah be a gentleman". Uncle Sam is shown laughing heartily.]]

American English slur for poor white people, especially in the American South

alt=|thumb|upright=1.2|Engraving by Jusepe de Ribera depicting the melancholic and world-weary figure of a poet '''''' (; literally "world-pain") is a literary concept describing the feeling experienced by an individual who believes that reality can never satisfy the expectations of the mind, resulting in "a mood of weariness or sadness about life arising from the acute awareness of evil and suffering".

19th-century American political philosophy

Worldbuilding is the process of constructing an imaginary world or setting, sometimes associated with a fictional universe. Developing the world with coherent qualities such as a history, geography, culture and ecology is a key task for many science fiction or fantasy writers. Worldbuilding often involves the creation of geography, a backstory, flora, fauna, inhabitants, technology, and often if writing speculative fiction, different peoples. This may include social customs as well as invented languages (often called conlangs) for the world.

latin phrase

largest opposition coalition or political party in the House of Commons, led by the Leader of the Opposition

thumbnail|Chapbook (c. 1800) of Jack the Giant Killer A chapbook is a type of small printed booklet that was a popular medium for street literature throughout early modern Europe. Chapbooks were usually produced cheaply, illustrated with crude woodcuts and printed on a single sheet folded into 8, 12, 16, or 24 pages, sometimes bound with a saddle stitch. Printers provided chapbooks on credit to chapmen, who sold them both from door to door and at markets and fairs, then paying for the stock they sold. The tradition of chapbooks emerged during the 16th century as printed books were becoming aff