1950s in film

film genre/style usually deployed in mystery and police procedural detective crime films

c. 1960s movement in French cinema

national film movement characterized by stories set amongst the poor and the working class

art showing conditions of the working class

style of filmmaking characteristic of American cinema between the 1910s and the 1960s

film genre

style of documentary filmmaking

Brazilian movement of film

British documentary film movement

genre of art cinema

slang term used in Hollywood to refer to small film production companies

film genre

Peak period in the history of Mexican cinema (1936–1956)

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film that is out of the mainstream either in its style, genre, or financing

''''''' (, German for "homeland-films"; German singular: ') were films of a genre popular in West Germany, Switzerland, and Austria from the late 1940s to the early 1960s. Heimat can be translated as "home" (in the geographic sense), "hometown" or "homeland".

term used in film theory and criticism to describe films associated with a nation-state

thumb|Betty Curtis in [[Ragazzi del Juke-Box (1959) by Lucio Fulci]] The musicarello (; : musicarelli) is a film subgenre which emerged in Italy and which is characterised by the presence in main roles of young singers, already famous among their peers, and their new record album. In the films there are almost always tender and chaste love stories accompanied by the desire to have fun and dance without thoughts. Musicarelli reflect the desire and need for emancipation of young Italians, highlighting some generational frictions. The genre began in the late 1950s, and had its peak of production

era in Italian filmmaking

overview of the events of the 1950s in film

film genre originating in the United States