Category

1960s in film

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French New Wave

c. 1960s movement in French cinema

thumb|upright=1.1|Lobby card for David Lynch's Blue Velvet (1986), an example of neo-noir. Neo-noir is a film genre from the 1970s, in the era of New Hollywood, which is primarily associated with the subversion and visual style of classic film noir tropes, adapting the themes of 1940s and 1950s American film noir for contemporary audiences, often with vibrant colors and high-contrast, more graphic depictions of violence or sexuality, thematic motifs, and nonlinear narrative or editing.

art showing conditions of the working class

thumb|upright=1.3|Letícia Román in The Girl Who Knew Too Much (1963), considered by most critics to be the first film

Classical Hollywood cinema

style of filmmaking characteristic of American cinema between the 1910s and the 1960s

American film movement between the late-1960s and early-1980s

found footage film

Czechoslovak New Wave

filmmaking movement in 1960s Czechoslovakia

Golden Age of Porn

15-year period in which sexually explicit films experienced mainstream success

subgenre of horror film

New German Cinema

period (1962–1982) in West German cinema characterized by low-budget films influenced by the French New Wave and Italian Neorealism

cinéma vérité

style of documentary filmmaking

Brazilian movement of film

genre of art cinema

Yugoslav Black Wave

movement in Yugoslav cinema

postmodernist film

list of dystopian films

Wikimedia list article

''''''' (, German for "homeland-films"; German singular: ') were films of a genre popular in West Germany, Switzerland, and Austria from the late 1940s to the early 1960s. Heimat can be translated as "home" (in the geographic sense), "hometown" or "homeland".

underground film

film that is out of the mainstream either in its style, genre, or financing

national cinema

term used in film theory and criticism to describe films associated with a nation-state

thumb|right|Giuliana Calandra in the 1973 nunsploitation film [[Story of a Cloistered Nun]] Nunsploitation is a subgenre of exploitation film which had its peak in Europe in the 1970s. These films typically involve Christian nuns living in convents during the Middle Ages.

subgenre of horror fiction

Sartana is a series of Spaghetti Western films which follows the adventures of the title character, a gunfighter and gambler who uses mechanical gadgets and seemingly supernatural powers to trick his rivals. The series features five official entries: If You Meet Sartana Pray for Your Death (1968); I am Sartana, Your Angel of Death (1969); ''Sartana's Here… Trade Your Pistol for a Coffin (1970); Have a Good Funeral, My Friend... Sartana Will Pay (1970); and Light the Fuse... Sartana Is Coming (1970). The first film was directed by Gianfranco Parolini, with the remaining four directed by Giulian

thumb|Betty Curtis in [[Ragazzi del Juke-Box (1959) by Lucio Fulci]] The musicarello (; : musicarelli) is a film subgenre which emerged in Italy and which is characterised by the presence in main roles of young singers, already famous among their peers, and their new record album. In the films there are almost always tender and chaste love stories accompanied by the desire to have fun and dance without thoughts. Musicarelli reflect the desire and need for emancipation of young Italians, highlighting some generational frictions. The genre began in the late 1950s, and had its peak of production

hyperlink cinema

multilinear filmmaking style

overview of the events of the 1960s in film

beach party film

Hollywood on the Tiber

era in Italian filmmaking

structural film

type of cinematography with extreme character

film genre originating in the United States

genre of Israeli comic melodrama