19th-century literature

thumb|Caspar David Friedrich, [[Wanderer above the Sea of Fog, 1818]] thumb|right|Eugène Delacroix, [[Death of Sardanapalus, 1827, taking its Orientalist subject from a play by Lord Byron]] thumb|Philipp Otto Runge, The Morning, 1808

literary movement

late-19th-century artistic and literary movement centered in Western Europe

literature of the Romantic Period

romanticism sub-genre

thumb|Four of the Tachtigers photographed around 1888: from left to right, Willem Witsen, [[Willem Kloos, Hein Boeken, Maurits van der Valk]] The Tachtigers ("Eightiers"), otherwise known as the Movement of Eighty (), were a radical and influential group of Dutch writers who developed a new approach in 19th-century Dutch literature. They interacted and worked together in Amsterdam from the 1880s. Many of them are still widely read today.

Post-romanticism or Postromanticism refers to a range of cultural endeavors and attitudes emerging in the late nineteenth and early twentieth centuries, after the period of Romanticism.

Sefāret-nāme (سفارت نامه), literally the book of embassy, was a genre in the Turkish literature which was closely related to seyahatname (the book of travels), but was specific to the recounting of journeys and experiences of an Ottoman ambassador in a foreign, usually European, land and capital. Sefâretnâme were edited by their authors with a view to their presentation to the Sultan, and to his high administration, thus also bearing a semi-official character, their objective being to make them "feel" the foreign country in question, as much as informing on it. For this reason, and for the lit

overview of world literature produced during the 19th century

poetry collection written by Heinrich Heine (1827)

group of Polish Romantic poets from modern-day Ukraine

song

Melodeclamation (from Greek “melos” = song, and Latin “declamatio” = declamation) was a chiefly 19th century practice of reciting poetry while accompanied by concert music. It is also described as "a type of rhythmic vocal writing that bears a resemblance to Sprechstimme."

19th century French intellectual circle