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Animals in art

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The Dream of the Fisherman's Wife
woodcut design by Japanese artist Hokusai
Pazyryk culture
archaeological civilization of nomad horsemen called Pazyryk
zoomorphism
thumb|250px|Fish-shaped door handle from Germany, an example of a zoomorphic artwork In the context of art, zoomorphism describes art that imagines humans as non-human animals. It can also be defined as art that portrays one species of animal like another species of animal or art that uses animals as a visual motif, sometimes referred to as "animal style". Depicting deities in animal form (theriomorphism) is an example of zoomorphism in a religious context. The word zoomorphism derives from and .
Kunstformen der Natur
book
Nile mosaic of Palestrina
late Hellenistic floor mosaic depicting the Nile in its passage from the Blue Nile to the Mediterranean
Bixi
Bixi, or Bi Xi (), is a figure from Chinese mythology. One of the nine sons of the Dragon King, he is depicted as a dragon with the shell of a turtle. Stone sculptures of Bixi have been used in Chinese culture for centuries as a decorative plinth for commemorative steles and tablets, particularly in the funerary complexes of China's later emperors and to commemorate important events, such as an imperial visit or the anniversary of a World War II victory. They are also used at the bases of bridges and archways. Sculptures of Bixi are traditionally rubbed for good luck, which can cause conservat
drollery
thumb|Drollery detail from the Hours of Charles the Noble thumb|upright|Page from the 14th-century Luttrell Psalter, showing two drolleries in the right margin.
Eurasiatic animal style
Iron Age art movement characterized by the use of animal motifs
The Hunt of the Unicorn
tapestry series of the late Middle Ages
Master of Animals
motif in ancient art showing a human between and grasping two confronted animals
Lod Mosaic
Roman mosaic found in Israel
Nilotic landscape
artistic representation of Nile in Egypt
Curl-up
Curl-up or Wentelteefje (original Dutch title) is a lithograph print by M. C. Escher, first printed in November 1951.