Category
page 1Asian percussion instruments
bell
A bell () is a directly struck idiophone percussion instrument. Most bells have the shape of a hollow cup that—when struck—vibrates in a single strong strike tone, with its sides forming an efficient resonator. The strike may be made by an internal "clapper" or "uvula", an external hammer, or—in small bells—by a small loose sphere enclosed within the body of the bell (jingle bell).

gamelan
Gamelan (; , ; ; ) is the traditional ensemble music of the Javanese, Sundanese, and Balinese peoples of Indonesia, made up predominantly of percussive instruments. The most common instruments used are metallophones (played with mallets) and a set of hand-drums called kendang, which keep the beat. The kemanak, a banana-shaped idiophone, and the gangsa, another metallophone, are also commonly used gamelan instruments on Bali. Other notable instruments include xylophones, bamboo flutes (similar to the Indian bansuri), a bowed string instrument called a rebab (somewhat similar to the gadulka of B
taiko
thumb|right|This performance at the Tsukiji Hongan-ji Festival involves several performers switching between . Performers lean toward and away from the drum by adjusting the degree of bend in their left knee.|alt=Video of

daf
Daf (), also known as dâyere and riq, is an Iranian frame drum musical instrument, also used in popular and classical music in Persian-influenced South and Central Asia, such as in Afghanistan, Azerbaijan, Tajikistan, Iran, Uzbekistan, Turkey many regions of Georgia, Armenia, Pakistan as well as in parts of India and Russian polar regions. It is also popular among Balkans, Caucasians, Bukharan Jews, Kurds, and Macedonians.
mridangam
The mridangam is an ancient percussion instrument originating from the Indian subcontinent. It is a traditional royal instrument originating in the south Indian state of Tamil Nadu and is widely used in south Indian classical music, called Carnatic music, especially in its sangeetha kacherees. It is the primary rhythmic accompaniment in a Carnatic music ensemble. In dhrupad, a modified version, the pakhawaj, is the primary percussion instrument. A related instrument is the kendang, played in the Maritime Southeast Asia. It is a complex instrument to tune and involves a lot of mathematics to co
angklung
The (Sundanese: ) is a musical instrument from the Sundanese in Indonesia that is made of a varying number of bamboo tubes attached to a bamboo frame. The tubes are carved to produce a resonant pitch when struck and are tuned to octaves, similar to Western handbells. The base of the frame is held in one hand, while the other hand shakes the instrument, causing a repeating note to sound. Each performer in an ensemble is typically responsible for just one pitch, sounding their individual at the appropriate times to produce complete melodies (see Kotekan).
wind chime
percussion instrument

Naqareh
The naqareh, naqqāra, nagara or nagada is a Middle Eastern drum with a rounded back and a hide head, usually played in pairs. It is thus a membranophone of the kettle drum variety.

dhol
Dhol () can refer to any one of a number of similar types of double-headed drum widely used, with regional variations, throughout the Indian subcontinent. Its range of distribution in Indian subcontinent primarily includes northern areas such as the Jammu, Himachal, Punjab, Haryana, Delhi, Kashmir, Sindh, Assam Valley, Uttarakhand, West Bengal, Odisha, Gujarat, Maharashtra, Konkan, Goa, Karnataka, Rajasthan, Bihar, Jharkhand and Uttar Pradesh. A related instrument is the dholak or dholki. Dhols are amongst other events used in Indian wedding ceremony processions such as Baraat or Varyatra.
.jpg)
dholak
The dholak is a two-headed hand drum and folk percussion instrument of South Asian origin. The dholak can be anywhere about 16" to 24" in length. It is widely used in qawwali, kirtan, bhajan, bhangra, chutney, baithak gana, Hindi film music, lokgeet and various classical styles such as Hindustani, Carnatic and Trinidadian local classical / Guyanese taan. The drum has two different sized drumheads. There is a smaller drumhead that can be from 5.5 to 8 inches in diameter and is made for sharp notes while the bigger drumhead, which can be from 7.5 to 10 inches in diametre, is made for low pitch.
ghatam
The ghaṭam (Sanskrit: घट ghaṭ; Kannada: ಘಟ ghaṭa; Tamil: கடம் ghatam; Telugu: ఘటం ghataṃ; Malayalam: ഘടം ghataṃ) is a percussion instrument used in various repertoires across the Indian subcontinent, especially in Southern India . Its variant is played in Punjab and known as gharha as it is a part of Punjabi folk traditions. Its analogue in Rajasthan is known as the madga and pani mataqa ("water jug").
zill
Zills, zillia, zils, or sagat, also known as finger cymbals or fanglesnaps, are small metallic cymbals used in belly dancing and similar performances. They are similar to Tibetan tingsha bells. In Western music, several pairs can be set in a frame to make a tambourine.
nagara
membranophone percussion instrument

Khartal
thumb|right|Close-up of a pair of khartal blocksthumb|right|Close-up of a khartal
thumb|300px|Player of khartal sheets, Rajasthan
Khartal is an ancient instrument mainly used in devotional / folk songs. It has derived its name from Sanskrit words ‘kara’ meaning hand and ‘tala’ meaning clapping. This wooden clapper is a Ghana Vadya which has discs or plates that produce a clinking sound when clapped together. It falls under the class of idiophones of self-sounding instruments that combine properties of vibrator and resonator.

bedug
thumb|Model of a Sundanese people|Sundanese [[mosque with bedug hung horizontally at lower right, front part of the building. To its left a slit drum is hung vertically.]]
The bedug is one of the drums used in the gamelan. It is also played in mosques in Indonesia and Malaysia to signal prayer times. The hitting of the instrument is particularly done according to a rhythm that goes in an increasingly rapid (or accelerando) pace.

thavil
300px|right|thumb|Thavil
A thavil (Tamil:தவில்) or tavil is a barrel-shaped percussion instrument from Tamil Nadu. It is also widely used in other South Indian states (Andhra Pradesh, Karnataka, Kerala, Telangana) as well as in the North and East of Sri Lanka (in the Tamil majority area called Tamil Eelam). It is used in temple, folk and Carnatic music, often accompanying the nadaswaram. The thavil and the nadaswaram are essential components of traditional festivals and ceremonies in South India.

tonbak
The tombak (), tonbak () or zarb () is an Iranian goblet drum. It is considered the principal percussion instrument of Persian music. The tombak is normally positioned diagonally across the torso, while the player uses one or more fingers and/or the palm(s) of the hand(s) on the drumhead, often (for a ringing timbre) near the drumhead's edge. Sometimes, tombak players wear metal finger rings for an extra-percussive "click" on the drum's shell. Tombak virtuosi often perform solos lasting ten minutes or more.
chimta
Chimta (, Shahmukhī: ) literally means tongs. Over time it has evolved into a traditional instrument of South Asia by the permanent addition of small brass jingles. This instrument is often used in popular Punjabi folk songs, Bhangra music and the Sikh religious music known as Gurbani Kirtan.
clash cymbals
cymbals played in matched pairs

mizhavu
thumb|right|Mizhavu kept in Mizhavana (wooden box made especially to keep the mizhavu).
taal
cymbal-like musical instrument
buk
Korean traditional drum
goblet drum
type of drum
morsing
The morsing (also mukharshanku, mourching, morching or morchang; Sanskrit: दंत वाद्यन्तरात्मसत्रस्य, Telugu: మోర్సింగ్, Kannada: ಮೋರ್ಸಿಂಗ್, Rajasthani: मोरचंग, Tamil: நாமுழவு அல்லது முகச்சங்கு, Malayalam: മുഖർശംഖ്, English: "jaw harp") is an instrument similar to the Jew's harp, mainly used in Rajasthan, in the Carnatic music of South India, and in Sindh, Pakistan. It can be categorized under lamellophones, which is a sub-category of plucked idiophones. The instrument consists of a metal ring in the shape of a horseshoe with two parallel forks that form the frame, and a metal tongue in the mid
Madhalam
thumb|Drummer playing Madhalam
thumb|right|Madhalam
The maddalam, madalam or madhalam (Malayalam: മദ്ദളം) is a drum made out of the wood of the jackfruit tree. It has two sides for playing, made out of leather, and has different kind of sounds on each side. The maddalam is a heavy instrument which is hung around the waist of the person playing, and the player stands all the while to perform. The maddalam is a vital instrument in traditional Kerala percussion ensembles like Panchavadyam, Keli and Kathakali orchestra.
tanggu
Chinese double-headed barrel drum
Timila
thumb|right|Timila
Qoltuq nagara
musical percussion instrument
bak
Bak (Korean: 박; Hanja: 拍) is a wooden clapper used in Korean court and ritual music.[1][2] The person playing the bak is called jipbak, serving as the conductor or musical supervisor for the group. The bak creates the clapping sound if clapped to ind
hyōshigi
The is a simple Japanese musical instrument, consisting of two pieces of hardwood or bamboo often connected by a thin ornamental rope. The clappers are played together or on the floor to create a cracking sound. Sometimes they are struck slowly at first, then faster and faster.
Kolintang
Kolintang is a traditional Minahasan percussion instrument from North Sulawesi, Indonesia, consisting of wooden blades arranged in a row and mounted on a wooden tub. Kolintang is usually played in ensemble music. Kolintang in the Minahasan community is used to accompany traditional ceremonies, dance, singing, and music. The wood used to make Kolintang blades is light but strong local wood such as Telur wood, Wenuang wood, Cempaka wood, Waru wood, and the like which have a fiber construction. parallel. Meanwhile, kolintang resonator crates are usually made of hardwood materials such as teak or
agung
The agung is a set of two wide-rimmed, vertically suspended gongs used by the Maguindanao, Maranao, Sama-Bajau and Tausug people of the Philippines as a supportive instrument in kulintang ensembles. The agung is also ubiquitous among other groups found in Palawan, Panay, Mindoro, Mindanao, Sabah, Sulawesi, Sarawak and Kalimantan as an integral part of the agung orchestra.
den-den daiko
The denden-daiko or is a Japanese children's toy drum or tambourine attached to a long handle. It has two small bells attached with strings, which strike the drumhead when the handle is shaken. "Denden" is an onomatopoeia for the sound it makes, which gives the toy its name. They were popular during the 17th century.
kus
A Kus (Persian کوس kūs) is an ancient Persian musical instrument, a large kettledrum similar to timpani.
dauılpaz
alt=|thumb|Dauylpaz (little)
alt=|thumb|Dauylpaz (Big)
thumb|Stamp released by the government of Kazakhstan in 2008. The image on the right depicts a dauylpaz
A Dauylpaz (Kazakh: дауылпаз) is a percussion signal instrument used by the Kazakhs. The drum-like instrument was originally used to convey signals during battle, and later became commonplace in Kazakh culture. The instrument fell out of widespread use in the 20th century.
kokiriko
The kokiriko (kanji: こきりこ; is a Japanese musical instrument used when singing and dancing to Japanese folk songs such as the "Kokiriko Bushi" (Kokiriko Dance). In kanji, it is written as "Chikuko." In the Middle Ages, it was a type of street performer, known as a kokiriko, which was always carried by the houka, who mainly performed acrobatics.
chengila
thumb|right|Singer Pathiyur with chengila
The chengila, or cennala, is an Indian gong which helps the traditional singer or dancer keep time.
duggi
traditional drum that accompanies shehnai and bauls musicians
Urumee
double-headed hour-glass shaped drum used in South India
udukai
The udukku , udukai or udukkai (Tamil: உடுக்கை) is a member of the family of membranophone percussion instruments of India and Nepal used in folk music and prayers in Tamil Nadu.
Cura nagara
Unpitched percussion instrument
Chande
right|thumb| D - E shruti Chande top (placed for left hand play).
The chande is a drum used in the traditional and classical music of South India and particularly in Yakshagana theatre art of Karnataka. It follows the Yakshagana Tala system. The rhythms are based on pre-classical music forms that Karnataka Sangeta and Hindustani Sangeetha are based on. There are different varieties of this instrument; two major varieties being the Badagu Thittu Chande (Northern School) and the Thenku Thittu Chande (Southern School). The latter can also be spelled chenda and is used exclusively in the art forms
mazhar
The mazhar (; : mazāhar, مزاهر) is a large, heavy tambourine used in Arabic music. The mazhar's frame is generally made out of wood. Its single head is considerably thicker than that of the riq, its smaller cousin. Some drums have brass zills that are about 10–13 centimetres (4–5 inches) in diameter; these may be played with a shaking technique.
tar
single-headed frame drum
kane
percussion instrument