Audiovisual introductions in 1861

thumb|Carlo Ponti's Megalethoscope The megalethoscope is a larger version (mega-) of the alethoscope, (Italian: alethoscopio, from the Greek “true”, “exact” and “vision”) which it largely superseded, and both are instruments for viewing single photographs with a lens to enlarge and to create some illusion of three-dimensionality. They were used to view photographic albumen prints that were coloured, perforated and mounted on a curved frame. Night effects were achieved when viewing pictures in transmitted light from a fitted oil or kerosine lamp and a daytime version of the same scene was seen

thumb|Kinematoscope, United States patent law|United States Pa­tent 31357, Coleman Sellers, p. 1 The Kinematoscope (a.k.a. Motoscope) was patented in 1861 (United States Patent 31357), a protean development in the history of cinema. The invention aimed to present the illusion of motion.