Brass instruments

class of musical instruments

The vuvuzela ( ) is a horn with an inexpensive injection-moulded plastic shell about long, which produces a loud monotone note typically around B♭ 3 (the first B♭ below middle C). Some models are made in two parts to facilitate storage, and this design also allows pitch variation. Many types of vuvuzela, made by several manufacturers, may produce various intensity and frequency outputs. The intensity of these outputs depends on the blowing technique and pressure exerted. The indoor noise level caused the U.S. NCAA to permanently ban them after the 7 February 1987 Division I Men's Ice Hockey ga

The cornet (, ) is a brass instrument similar to the trumpet but distinguished from it by its conical bore, more compact shape, and mellower tone quality. The most common cornet is a transposing instrument in B. There is also a soprano cornet in E and cornets in A and C. All are unrelated to the Renaissance and early Baroque cornett.

The flugelhorn (), also spelled fluegelhorn, flugel horn, or flügelhorn, is a brass instrument that resembles the trumpet and cornet, but has a wider, more conical bore. Like trumpets and cornets, most flugelhorns are pitched in B♭, though some are in C. It is a type of valved bugle, developed in Germany in the early 19th century from a traditional English valveless bugle. The first version of a valved bugle was sold by Heinrich Stölzel in Berlin in 1828. The valved bugle provided Adolphe Sax (creator of the saxophone) with the inspiration for his B♭ soprano (contralto) saxhorns, on which the

musical instrument

The bugle is a simple signaling brass instrument with a wide conical bore. It normally has no valves or other pitch-altering devices, and is thus limited to its natural harmonic notes, and pitch is controlled entirely by varying the air and embouchure.

brass musical instrument in the tuba family

The ophicleide ( ) is a family of conical-bore keyed brass instruments invented in early 19th-century France to extend the keyed bugle into the lower range. Of these, the bass ophicleide in eight-foot (8′) C or 9′ B took root over the course of the 19th century in military bands and as the bass of orchestral brass sections throughout Western Europe, replacing the serpent and its later upright derivatives. By the end of the 19th century, however, it had been largely superseded, in bands by the euphonium and in orchestras by early forms of the modern tuba, some developed from valved ophicleides.

brass instrument

The mellophone is a brass instrument used in some marching bands in place of French horns. It is a middle-voiced instrument, typically pitched in the key of F, though models in E, D, C, and G (as a bugle) have also historically existed. It has a conical bore and piston valves, like that of the euphonium and flugelhorn.

thumb|Buccina thumb|Ludovisi Battle sarcophagus: Detail roman wearing mail, and above him a , a junior officer who communicated signals with the military horn or buccina A buccina () or bucina (; ), anglicized buccin or bucine, is a brass instrument that was used in the ancient Roman army, similar to the cornu. An aeneator who blew a buccina was called a "buccinator" or "bucinator" ().

The saxhorn is a family of valved brass instruments that have conical bores and deep cup-shaped mouthpieces. The saxhorn family was developed by Adolphe Sax, who is also known for creating the saxophone family. The sound of the saxhorn has a characteristic mellow tone quality and blends well with other brass.

thumb|Carnyx from the Tintignac group thumb|Three carnyx players depicted on plate E of the Gundestrup cauldron

brass instrument in the saxhorn family usually pitched in E♭

thumb|The embouchure of a trumpeter Embouchure () or lipping is the use of the lips, facial muscles, tongue, and teeth in playing a wind instrument. This includes shaping the lips to the mouthpiece of a woodwind or brass instrument. The word is of French origin and is related to the root '''', 'mouth'. Proper embouchure allows an instrumentalist to play an instrument at its full range with a full, clear tone and without strain or damage to their muscles.

The cimbasso ( , ) is a low brass instrument that covers the same range as a tuba or contrabass trombone. First appearing in Italy in the early 19th century as an upright serpent, the term cimbasso came to denote several instruments that could play the lowest brass part in 19th century Italian opera orchestras. The modern cimbasso design, first appearing as the in the 1880s, has four to six rotary valves (or occasionally piston valves), a forward-facing bell, and a predominantly cylindrical bore. These features lend its sound to the bass of the trombone family rather than the tuba, and its val

ancient Roman brass instrument

thumb|right|Kakaki player at the palace of the Ooni of Ife, in Osun state, western Nigeria The kakaki is a three- to four-metre-long metal trumpet used in Hausa, Yoruba, and Nupe traditional ceremonial music. Kakaki is the name used in Chad, Burkina Faso, Ghana, Benin, Niger, and Nigeria.

musical instrument

common name for a trumpet in the Middle Ages and the Renaissance; the upper register of the standard trumpet

thumb|Chilean trutruka The trutruca or trutruka (Spanish trutruca) is a wind instrument of the trumpet family. It is played mainly by the Mapuche of Chile and Argentina. It produces a loud harsh sound, with few tonal variations.

The buisine and the añafil were variations of a type of straight medieval trumpet usually made of metal, also called a herald's trumpet. While arguably the same instrument, the two names represent two separate traditions, in which a Persian-Arabic-Turkic instrument called the Nafir entered European culture in different places and times.

Brass instrument with keys

brass instrument

ancient Etruscan and Roman musical instrument

The buccin, or buccin à tête de serpent, is a visually distinctive trombone popularized in military bands in France between 1810 and 1845 which subsequently faded into obscurity. It should not be confused with another instrument also called "buccin", revived in France in 1791 and modeled after the ancient Roman buccina which could deliver only four distinct notes.

The Flumpet is a hybrid brass instrument that shares the construction and timbral qualities of a trumpet and flugelhorn. The Flumpet was invented for Art Farmer by David Monette and is currently in production by Monette. The Flumpet is in the key of B♭.

The saxotromba is a valved brass instrument invented by the Belgian instrument-maker Adolphe Sax around 1844. It was designed for the mounted bands of the French military, probably as a substitute for the French horn. The saxotrombas comprised a family of half-tube instruments of different pitches. By about 1867 the saxotromba was no longer being used by the French military, but specimens of various sizes continued to be manufactured until the early decades of the twentieth century, during which time the instrument made sporadic appearances in the opera house, both in the pit and on stage. The

thumb|Page 1 of "Drei Equale für vier Posaunen" ("Three Aequales for four Trombones") by [[Ludwig van Beethoven]] An equale or aequale (from , equal voices or parts) is a musical idiom. It is a piece for equal voices or instruments. In the 18th century the equale became established as a generic term for short, chordal pieces for trombone choirs, usually quartets or trios. The instruments were not necessarily equal in pitch, but formed a closed consort.

thumb|Baritone sudrophone in C/B♭ by F. Sudre, c. 1900. Note the attached to the bell, right The sudrophone is a brass instrument invented by the French instrument maker François Sudre (1844–1912). Its shape resembles that of an ophicleide. It was patented in 1892.

thumb|right|A fiscornaire of the Cobla Popular playing in front of a Barcelona cathedral

Brass instrument notes