Chords

harmonic set of three or more notes

type of three-note chord in music and music theory

musical chord composed of a root (tonal) note and its respective fifth

a particular musical chord used by Richard Wagner

musical chord comprising at least three adjacent tones in a scale

major chord built on the lowered second (supertonic) scale degree

chord having a root, a major third, and a perfect fifth

major and minor scales with the same tonic

chord having a root, a minor third, and a perfect fifth

chord with an augmented interval

musical cadence that uses a major chord to end a minor-key piece

a triad consisting of a root, a minor third, and a diminished fifth; e.g. C–E♭–G♭

system for naming chords

chord made up of four notes

musical chord in which the (major or minor) third is omitted

thumb|300x300px|Fred Steiner's 1957 Perry Mason theme, "[[Park Avenue Beat", ends with a polychord quoted by Frank Zappa in "Jezebel Boy", Broadway the Hard Way (1988) and described by Walter Everett as "juicy". ]]In music and music theory, a polychord consists of two or more chords, one on top of the other. In chord notation, polychords are written with the top chord above a line and the bottom chord below, for example, F over C (shown below) is notated as .

six-note synthetic chord that appears in compositions by Alexander Scriabin

chord that contains the interval of an augmented sixth

second inversion of the major triad

Use of Roman numeral symbols in the musical analysis of chords

musical chord with rhythmic unison

guitar chord that includes one or more strings that are not fingered; an open string vibrates with more resonance than a string which is pressed down

thumb|upright=1.4|The seven contiguous trichords in C major. See also: Cardinality equals variety.

musical tone series

chord borrowed from the parallel key

chord formed by the root note, the third part of the same and a perfect fifth