Category
page 1Clarinets
clarinet
The clarinet is a single-reed musical instrument in the woodwind family, with a nearly cylindrical bore and a flared bell.
bass clarinet
bass member of the clarinet family
basset horn
alto member of the clarinet family with extended lower range
alto clarinet
an alto member of the clarinet family that is associated with Western art music and is normally pitched in E♭
E♭ clarinet
sopranino member of the clarinet family

xaphoon
The xaphoon ( ) is a chromatic keyless single-reed woodwind instrument invented in 1972, and a registered trademark of its inventor, Brian Lee Wittman. It has a closed cylindrical bore and a very slightly flared bell. The xaphoon has a full chromatic range of two octaves, and overblows at the twelfth like the clarinet.
thumb|right|upright=0.8|A B♭ Xaphoon from Maui
basset clarinet
a clarinet similar to the soprano clarinet but with an extended lower range
clarinette d'amour
musical instrument in clarinet family
contrabass clarinet
contrabass member of the clarinet family
pku
thumb|right|The pku.
The pku, alternatively spelled pzuk,(in Armenian “Պկու”) is an Armenian musical instrument, similar to a clarinet. It has been called the national instrument of Armenia. The pku is a single-reed aerophone with seven holes and a one octave range with the open cone of a bull horn at one end.
A♭ clarinet
high-pitched member of the clarinet family
register key
thumb key on a clarinet to raise the pitch a twelfth into the high register
contra-alto clarinet
bass-contrabass member of the clarinet family
quarter tone clarinet
Boehm system
system of clarinet keywork
pavillon d'amour
A Liebesfuss or Liebesfuß (; ; ) is a pear- or bulb-shaped element that narrows to a small opening on double reed instruments, such as the oboe d'amore, cor anglais, and heckelphone, as well as on some single-reed instruments, such as the clarinet d'amore. It serves as a damper that gives these musical instruments a characteristically soft timbre. It is the eponymous characteristic of the oboe d'amore, which was developed in the baroque period alongside other particularly sweet-sounding instruments, such as the viola d'amore and the clarinet d'amore, which originated around 1740, but died out