Cupid

In classical mythology, Cupid ( , meaning "passionate desire") is the god of desire, erotic love, attraction and affection. He is often portrayed as the son of the love goddess Venus and the god of war Mars. He is also known as Amor (Latin: '''', "love"). His Greek counterpart is Eros. Although Eros is generally portrayed as a slender winged youth in Classical Greek art, during the Hellenistic period, he was increasingly portrayed as a chubby boy. During this time, his iconography acquired the bow and arrow that represent his source of power: a person, or even a deity, who is shot by Cupid's a

thumb|Renaissance art|Renaissance putti, detail from the [[Camera degli Sposi, by Andrea Mantegna, 1465–1474, fresco, Ducal Palace, Mantua, Italy]] A putto (; plural putti ) is a figure in a work of art depicted as a chubby male child, usually naked and very often winged. Originally limited to profane passions in symbolism, the putto came to represent a sort of baby angel in religious art, often called a cherub (plural cherubim), though in traditional Christian theology, a cherub is actually one of the most senior types of angel. thumb|Three Putti Next to a cartouche (design)|Cartouche, after

facial feature where the double curve of a human upper lip is said to resemble the bow of Cupid, the Roman god of erotic love

Kewpie is a brand of dolls and figurines that were conceived as comic strip characters by American cartoonist Rose O'Neill. The illustrated cartoons, appearing as baby cupid characters, began to gain popularity after the publication of O'Neill's comic strips in 1909, and O'Neill began to illustrate and sell paper doll versions of the Kewpies. The characters were first produced as bisque dolls in Waltershausen, Germany, beginning in 1912, and became extremely popular in the early 20th century.

East Jerusalem archaeological excavation

Astrild (from Old Norse: "Love-fire") is a relatively late Nordic name for Amor or Cupid. Astrild probably originated in the writings of the 17th-century Swedish poet Georg Stiernhielm, and has since been used in Nordic poetry, mainly during the Baroque and Rococo eras, such as in Carl Michael Bellman's 1790 ''Fredman's Epistles''. Astrild does not appear in Norse mythology, even though the name was used before Stiernhielm as a synonym for the estrildid finches.