Dance music genres

Disco is a genre of dance music and a subculture that emerged in the late 1960s from the United States' urban nightlife scene, particularly in African-American, Italian-American, Latino and queer communities. Its sound is typified by four-on-the-floor beats, syncopated basslines, string sections, brass and horns, electric pianos, synthesizers, and electric rhythm guitars.

Dance-pop (also known as club-pop and EDM-pop) is a genre of electronic dance music that originated in the late 1970s to early 1980s. It is generally uptempo music intended for nightclubs with the intention of being danceable but also suitable for contemporary hit radio. Developing from a combination of dance and pop with influences of disco, post-disco and synth-pop, it is generally characterised by strong beats with easy, uncomplicated song structures which are generally more similar to pop music than the more free-form dance genre, with an emphasis on melody as well as catchy tunes. The gen

genre of music, mixing elements of funk, soul, jazz and electronic music

style of electronic dance music

musical practice of Cabo Verde

music and type of dance

upbeat type of popular music associated with Punjabi culture

Madchester was a musical and cultural scene that emerged in the English city of Manchester during the late 1980s, closely associated with the indie dance movement. Indie dance (also referred to as indie rave) blended indie rock with elements of acid house, psychedelia, and 1960s pop.

Dangdut () is a genre of Indonesian folk music that is partly derived and fused from Hindustani, Arabic, and, to a lesser extent, Javanese, Malay, Minangkabau, Sundanese and local folk music. Dangdut is the most popular musical genre in Indonesia and very popular in other Maritime Southeast Asian countries because of its melodious instrumentation and vocals. Dangdut features a tabla and gendang beat.

music genre originating in Argentina and Uruguay

music genre

music genre and type of musical composition, performed in triple meter, often written in ¾ time

genre of African music and dance

Bikutsi is a musical genre from Cameroon. It developed from the traditional styles of the Beti, or Ewondo, people, who live around the city of Yaoundé. It was popular in the middle of the 20th century in West Africa. It is primarily dance music.

generic term for electronic dance music of various styles (primarily acid house and techno) played at raves in the 1990s

thumb | right | alt=Cuban rumba dancers at the workers square in Camagüey, Cuba. | Cuban rumba dancers at the workers square in Camagüey, Cuba. The term rumba may refer to a variety of unrelated music styles. Originally, "rumba" was used as a synonym for "party" in northern Cuba, and by the late 19th century it was used to denote the complex of secular music styles known as Cuban rumba. Since the early 20th century the term has been used in different countries to refer to distinct styles of music and dance, most of which are only tangentially related to the original Cuban rumba, if at all. The

Ndombolo, also known as dombolo, is a genre of dance music originating in the Democratic Republic of the Congo. Derived from soukous in the 1990s, with fast-paced hip-swaying dance rhythms, often accompanied by upbeat, percussion-driven music, the style became widespread in the mid-1990s and the subsequent decade, dominating dancefloors in central, eastern, and western Africa. It inspired West African popular music, coupé-décalé, Kuduro, and East African dance music.

Nangma (Tibetan: ; Chinese: 囊玛) is a genre of Tibetan dance music closely related to Toeshey (སྟོད་གཞས་). The word Nangma derives from the Persian word Naghma meaning melody. Both a band and a nightclub have been named after it. "Nangma" is the name of a four-person, traditional Tibetan band dedicated to these two styles of music. "Nangma" is also the name of a nightclub in Lhasa which plays this traditional music.

style of vigorous music, developed by Pello el Afrokan (Pedro Izquierdo) in Cuba in 1963, and subsequently adapted by Eddie Palmieri in New York in the 1960s in a quite different form