Digital typefaces

sans-serif font

popular serif typeface by Stanley Morison, Victor Lardent & Juan Parra(Victor's Asesor)

Helvetica, also known by its original name Neue Haas Grotesk, is a widely used sans-serif typeface developed in 1957 by Swiss typeface designer Max Miedinger and Eduard Hoffmann.

sans serif script typeface

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Calibri () is a digital sans-serif typeface family in the humanist or modern style. It was designed by Lucas de Groot in 2002–2004 and released to the general public in 2006, with Windows Vista. In Microsoft Office 2007, it replaced Times New Roman as the default font in Word and replaced Arial as the default font in PowerPoint, Excel, and Outlook. In Windows 7, it replaced Arial as the default font in WordPad. De Groot described its subtly rounded design as having "a warm and soft character". In January 2024, the font was replaced by Microsoft's new bespoke font, Aptos, as the new default Mic

Garamond is a group of many serif typefaces, named for sixteenth-century Parisian engraver Claude Garamond, generally spelled as Garamont in his lifetime. Garamond-style typefaces are popular to this day and often used for book printing and body text.

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thumb|Facsimile of lines from Dante's "[[La Vita Nuova", first published with Bodoni types by the Officina Bodoni in 1925. Actual font is the digital Bodoni Monotype published in 1999.]]

geometric sans-serif typeface

monospaced slab serif typeface designed by Howard Kettler for IBM typewriters

Palatino is an old-style serif typeface designed by Hermann Zapf, initially released in 1949 by the Stempel foundry and later by other companies, most notably the Mergenthaler Linotype Company. Palatino is optimised for legibility with open counters, balanced proportions, moderate stroke contrast and flared serifs.

Roboto () is a typeface family developed by Google. The first typeface was created as the system font for its Android operating system, and released in 2011 for Android 4.0 "Ice Cream Sandwich".

Univers () is a sans-serif typeface family designed by Adrian Frutiger and released by his employer Deberny & Peignot in 1957. Classified as a neo-grotesque sans-serif, one based on the model of nineteenth-century German typefaces such as Akzidenz-Grotesk, it was notable for its availability from the moment of its launch in a comprehensive range of weights and widths. The original marketing for Univers deliberately referenced the periodic table to emphasise its scope.

Optima is a humanist sans-serif typeface designed by Hermann Zapf and released by the D. Stempel AG foundry, Frankfurt, West Germany, in 1958.

sans-serif typeface

Baskerville is a serif typeface designed in 1757 by John Baskerville in Birmingham, England, and cut into metal by punchcutter John Handy. Baskerville is classified as a transitional typeface, intended as a refinement of what are now called old-style typefaces of the period, especially those of his most eminent contemporary, William Caslon.

Caslon is the name given to serif typefaces designed by William Caslon I in London, or inspired by his work.

ultra-bold serif typeface

set of sans-serif fonts

sans-serif font, used on German traffic signs

serif font family

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geometric sans-serif typeface

geometric slab-serif typeface

geometric sans-serif typeface

OCR-B is a monospace font developed in 1968 by Adrian Frutiger for Monotype by following the European Computer Manufacturer's Association standard. Its function was to facilitate the optical character recognition operations by specific electronic devices, originally for financial and bank-oriented uses. It was accepted as the world standard in 1973. It follows the ISO 1073-2:1976 (E) standard, refined in 1979 ("letterpress" design, size I). It includes all ASCII symbols, and other symbols needed in the bank environment. It is widely used for the human readable digits in UPC/EAN barcodes. It is

typeface family

Akzidenz-Grotesk is a sans-serif typeface family originally released by the Berthold Type Foundry of Berlin in 1898. '''' indicates its intended use as a typeface for commercial print runs such as publicity, tickets and forms, as opposed to fine printing, and "grotesque" was a standard name for sans-serif typefaces at the time ("grotesque" in its original sense; bizarre, odd, or outlandish, not necessarily ugly, but visually jarring and outside the norm at the time).

Bembo is a serif typeface created by the British branch of the Monotype Corporation in 1928–1929 and most commonly used for body text. It is a member of the "old-style" of serif fonts, with its regular or roman style based on a design cut around 1495 by Francesco Griffo for Venetian printer Aldus Manutius, sometimes generically called the "Aldine roman". Bembo is named after Manutius's first publication with it, a small 1496 book by the poet and cleric Pietro Bembo. The italic is based on work by Giovanni Antonio Tagliente, a calligrapher who worked as a printer in the 1520s, after the time of

Sabon is an old-style serif typeface designed by the German-born typographer and designer Jan Tschichold (1902–1974) in the period 1964–1967. It was released jointly by the Linotype, Monotype, and Stempel type foundries in 1967. The design of the roman is based on types by Claude Garamond (), particularly a specimen printed by the Frankfurt printer Konrad Berner. Berner had married the widow of a fellow printer Jacques Sabon, the source of the face's name, who had bought some of Garamond's type after his death. The italics are based on types designed by a contemporary of Garamond's, Robert Gra

free geometric sans-serif typeface family

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digital typeface designed by Robert Slimbach in 1990 for Adobe Systems

geometric sans-serif typeface

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Eurostile is a geometric sans-serif typeface designed by Aldo Novarese in 1962. Novarese created Eurostile for Nebiolo, an Italian foundry in Turin.

geometric sans-serif typeface

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glyphic typeface designed by Frederic Goudy in 1901

geometric sans-serif typeface

sans-serif typeface

Janson is the name given to a set of old-style serif typefaces from the Dutch Baroque period, and modern revivals from the twentieth century. Janson is a crisp, relatively high-contrast serif design, most popular for body text.

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typeface designed by Erik Spiekermann

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Archivo is a sans-serif typeface designed by Héctor Gatti and released in 2012. It is available on the website of the type foundry Omnibus Type. In 2016, it received an award in the Tipos Latinos type design competition in Latin America. The typeface comes in two main variants, Archivo Narrow and Archivo Black.

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typeface designed by Ed Benguiat in 1977

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sans serif typeface

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font, typeface

slab serif typeface created in 1974

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geometric sans-serif typeface designed for Volkswagen Group in 1979