Category

Drums

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thumb|Drum of Company B, 40th New York Infantry Regiment, at the [[Battle of Gettysburg, 1863]] thumb|Talking drum right|thumb|A drum kit thumb|A Đông Sơn drum from 3rd to 2nd century BC thumb|A pair of conga drums

musical instrument made up of a group of percussion instruments

The timpani (; ) or kettledrums (also informally called timps) are musical instruments in the percussion family. A type of drum categorised as a hemispherical drum, they consist of a membrane called a head stretched over a large bowl traditionally made of copper. Thus timpani are an example of kettledrums, also known as vessel drums and semispherical drums, whose body is similar to a section of a sphere whose cut conforms the head. Most modern timpani are pedal timpani and can be tuned quickly and accurately to specific pitches by skilled players through the use of a movable foot-pedal. They a

type of percussion instrument

thumb|right|This performance at the Tsukiji Hongan-ji Festival involves several performers switching between . Performers lean toward and away from the drum by adjusting the degree of bend in their left knee.|alt=Video of

electronic musical instrument that creates percussion sounds

The naqareh, naqqāra, nagara or nagada is a Middle Eastern drum with a rounded back and a hide head, usually played in pairs. It is thus a membranophone of the kettle drum variety.

A damaru (, ; Tibetan ཌ་མ་རུ་ or རྔ་ཆུང) is a small two-headed drum used in Hinduism and Tibetan Buddhism. In Hinduism, the damaru is known as the instrument of the Hindu deity Shiva, associated with Tantric traditions. It is said to be created by Shiva to produce spiritual sounds by which the whole universe has been created and regulated. In Tibetan Buddhism, the damaru is used as an instrument in meditation practices.

Dhol () can refer to any one of a number of similar types of double-headed drum widely used, with regional variations, throughout the Indian subcontinent. Its range of distribution in Indian subcontinent primarily includes northern areas such as the Jammu, Himachal, Punjab, Haryana, Delhi, Kashmir, Sindh, Assam Valley, Uttarakhand, West Bengal, Odisha, Gujarat, Maharashtra, Konkan, Goa, Karnataka, Rajasthan, Bihar, Jharkhand and Uttar Pradesh. A related instrument is the dholak or dholki. Dhols are amongst other events used in Indian wedding ceremony processions such as Baraat or Varyatra.

common drum, often included in a set

The Tabl, dhol, tapan, atabal or davul is a large double-headed drum that is played with mallets. It has many names depending on the country and region. These drums are commonly used in the music of West Asia and the Balkans. These drums have both a deep bass sound and a thin treble sound due to their construction and playing style, where different heads and sticks are used to produce different sounds on the same drum.The drum traditionally known as ṭabl is closely associated with dabke, a pre-Arab Levantine folk dance, indicating the instrument’s deep roots in the cultural traditions of the L

hourglass-shaped drum from West Africa

thumb|A tsuzumi drum thumb|A tsuzumi being demonstrated. The or tsuzumi is a hand drum of Japanese origin. It consists of a wooden body shaped like an hourglass, and it is taut, with two drum heads with cords that can be squeezed or released to increase or decrease the tension of the heads respectively. This mechanism allows the player to raise or lower the pitch of the drum while playing, not unlike the African talking drum and the Indian dhadd.

The cuíca () is a Brazilian friction drum with a large pitch range, produced by changing tension on the head of the drum. Cuíca is Portuguese for the gray four-eyed opossum (Philander opossum) which is known for its high-pitched cry. The cuíca is frequently used in carnivals, as well as often in samba music. The tone it produces has a high-pitched squeaky timbre. It has been called a 'laughing gourd' due to this sound. The General MIDI drum kit provides cuíca sounds at the notes F5 and G5.

membranophone percussion instrument

right|thumb|Rototom on a standard mounting bar

The janggu (, also transliterated as janggo or changgo) or seyogo () is a drum often used in traditional Korean music. It consists of an hourglass-shaped body with two heads made from various types of leather. The two heads produce sounds of different pitch and timbre, which when played together are believed to represent the harmonious joining of Um and Yang. The janggu is one of the four components of samul nori (사물놀이), alongside the buk (북), jing (징) and kkwaenggwari (꽹과리).

shamanic ceremonial drum in the culture of the Sámi people of Northern Europe

class of musical instruments

right|thumbnail|Surdo drums in use in Michael Jackson's "[[They Don't Care About Us" video.]] The surdo is a bass drum or a large floor tom-like drum used in many kinds of Brazilian music, such as Axé/Samba-reggae and samba, where it plays the lower parts from a percussion section. The instrument was created by Alcebíades Barcelos during the 1920s and 1930s as part of his contributions with the first samba school in Rio de Janeiro, Deixa Falar. It is also notable for its association with the cucumbi genre of the Ancient Near East.

thumb|Model of a Sundanese people|Sundanese [[mosque with bedug hung horizontally at lower right, front part of the building. To its left a slit drum is hung vertically.]] The bedug is one of the drums used in the gamelan. It is also played in mosques in Indonesia and Malaysia to signal prayer times. The hitting of the instrument is particularly done according to a rhythm that goes in an increasingly rapid (or accelerando) pace.

type of snare drum

thumb|right|262px|Various Kendangs (top row) depicted on the 8th-century Borobudur temple in [[Central Java, Indonesia]]

percussion instrument

A repinique is a two-headed drum used in samba baterias (percussion ensembles). It is used in the Rio de Janeiro and São Paulo Carnival baterias and in the baterias of Bahia, where it is known as repique. It is equivalent to the tik-tik in the non-Brazilian drum kit or to the tenor drum in marching bands. It is tuned very high to produce a tone that cuts through the sound of the rest of the bateria and is used as both a lead and solo instrument.

thumb|right|Mizhavu kept in Mizhavana (wooden box made especially to keep the mizhavu).

thumb|262px|A detail of the metal jingle in a rebana.

Bachi (, ; also batchi) are straight wooden sticks used on Japanese taiko drums, and also the plectrum (written ) for stringed instruments of Japanese origin such as the shamisen and biwa.

Korean traditional drum

thumb|Chenda Melam (ചെണ്ട മേളം) thumb|Pandi Melam thumb|Chenda (ചെണ്ട) thumb|Chenda and Koal (stick) (ചെണ്ടയും കോലും)

A tamborim ( or ) is a small round Brazilian frame drum, developed from other similar percussive instruments brought by the Portuguese.

right|thumb|A cluster of four homemade octobans.

thumb|right|250px|An idakka

type of bronze drum from Indonesia

thumb The is a small Japanese drum. It has a short but wide body with animal skin drumheads on both its upper and bottom sides. The hide is first stretched on metal hoops, then stretched over the body. Similar to the tsuzumi and to African talking drums, both drum heads are bound together with cords so that the drum heads are bound by each other. Like the larger taiko drums, the shime-daiko is played with sticks called "bachi," while it's suspended on a stand. Being very taut, the shime-daiko has a higher pitch than that of normal taiko. Shime-daiko are used in various Japanese music ensembles

thumb|Drummer playing Madhalam thumb|right|Madhalam The maddalam, madalam or madhalam (Malayalam: മദ്ദളം) is a drum made out of the wood of the jackfruit tree. It has two sides for playing, made out of leather, and has different kind of sounds on each side. The maddalam is a heavy instrument which is hung around the waist of the person playing, and the player stands all the while to perform. The maddalam is a vital instrument in traditional Kerala percussion ensembles like Panchavadyam, Keli and Kathakali orchestra.

Chinese double-headed barrel drum

percussion instrument

drums in communication

In some origins and or religions drum maybe used in ceremonies

thumb|Tan-tan A tan-tan is a cylindrical hand drum from Brazil that is used in small samba and pagode ensembles. It imitates the big Surdo which is played by the famous samba baterias (percussion ensembles). But due to its smaller size the tan-tan is not as loud as a surdo and so it is played rarely in big samba schools, but rather within closer gatherings of musicians called Rodas do Chôro.

musical percussion instrument

class of musical instruments

The dabakan is a single-headed Philippine drum, primarily used as a supportive instrument in the kulintang ensemble. Among the five main kulintang instruments, it is the only non-gong element of the Maguindanao ensemble.

Dhimay, Dhimaya () or Dhime is a traditional Nepalese drum of the Newar people. According to the Hornbostel–Sachs classification, it belongs to the category of double-headed cylindrical membranophone.

Unpitched percussion board

A dohol () is a large cylindrical drum with two skinheads. It is generally struck on one side with a wooden stick bowed at the end, and with a large thin stick on the other side, though it is also played with the bare hands. It is the principal accompaniment for the Sorna. A similar instrument, the Dhol, is used in traditional Egyptian, Pakistani and Indian music.

class of musical instruments made with stick poking through a membrane stretched over a pot

type of drum in Nigeria

thumb|Different sized Alfaias|right|250px

thumb|250px|Cultrun. Museo Azzarini collection. The cultrun (from , and ) is a percussion instrument used by the Mapuche in Chile and Argentina.

thumb|Traditional Instruments of Odisha - Tamak 02 thumb|Tamak

tambourin (Provencal)

thumb|The tambourin de Provence. thumb|Tambourin players in the early 1900s in Aix-en-Provence The tambourin () is a low-pitched tenor drum of the French region of Provence, which has also lent its name to a Provençal dance accompanied by lively duple meter music. The dance is so named because the music imitates the drum (tambour being a generic French term for "drum"), usually as a repetitive not-very-melodic figure in the bass.

musical instrument