Ethnomusicology

Gamelan (; , ; ; ) is the traditional ensemble music of the Javanese, Sundanese, and Balinese peoples of Indonesia, made up predominantly of percussive instruments. The most common instruments used are metallophones (played with mallets) and a set of hand-drums called kendang, which keep the beat. The kemanak, a banana-shaped idiophone, and the gangsa, another metallophone, are also commonly used gamelan instruments on Bali. Other notable instruments include xylophones, bamboo flutes (similar to the Indian bansuri), a bowed string instrument called a rebab (somewhat similar to the gadulka of B

thumb|Jaap Kunst, early ethnomusicologist and creator of the term 'ethno-musicology', plays the [[Indonesian triton, beside other traditional Indonesian instruments.]]

natural horn instrument

music produced in preliterate cultures (prehistory), beginning somewhere in very late geological history

American record label

'''' () is an ancient form of Balinese dance-drama. It is accompanied by musicians in a gamelan gambuh'' ensemble.

Tanjidor is a traditional Betawi musical ensemble developed in Jakarta, Indonesia. This musical ensemble took the form of a modest orchestra and was developed in the 19th century, pioneered by Augustijn Michiels better known as Mayor Jantje, in the Citeureup area (or Citrap) on the outskirts of Batavia.

Ethnochoreology (also dance ethnology, dance anthropology, ethnic dance) is the study of dance through the application of anthropology, musicology, ethnomusicology, and ethnography. Ethnochoreology attempts to apply academic thought to the meaning and motivations of dance.

1932 international symposium and festival on music in the Arabic world

formed in 1935 under Federal Project No. One of the Works Progress Administration to employ, train, and rehabilitate unemployed musicians

form of Balinese theatre

organization