Film and video technology

Optical Disc Storage Format

form of video processing

camera accessory for controlling lens glare

video with portrait orientation

XAVC is a recording format that was introduced by Sony on October 30, 2012. It is licensed to companies that want to make XAVC products.

part of a television studio

thumb|A visual effects model of a ship from Close Encounters of the Third Kind featuring extensive greebling Greebles, also called greeblies (singular: greebly) or nurnies, are small relief details used to give visual complexity to a model. The act of decorating a model with greebles is known as greebling. While greebling originated as a technique in filmmaking, it is commonly used in model-making, toy design, and kitbashing.

inflatable apparatus for displaying a projected image

process of producing video content

photograph taken on or off the set of a movie or television program during production

A SnorriCam (also chestcam, body mount/bodymount, or bodycam) is a camera device used in filmmaking that is rigged to the body of the actor, with the camera facing the actor directly so that they appear in a fixed position in the center of the frame. A SnorriCam presents a dynamic, disorienting point of view from the actor's perspective, providing an unusual sense of vertigo for the viewer.

thumb|Sensurround speaker diagram, with the extra speakers shown in white (Center, Surround Left and Surround Right) thumb|Sensurround logo (designed for the release of the film Earthquake). Sensurround is the brand name for a process created by MCA and developed by Cerwin-Vega in conjunction with Universal Studios to enhance the audio experience during film screenings, specifically for the 1974 film Earthquake. The process was intended for subsequent use and was adopted for four more films, Midway (1976), Rollercoaster (1977), the theatrical version of Saga of a Star World (1978), the Battles

capability of automatically analyzing video to detect and determine temporal and spatial events

Smell-O-Vision is a system that released odor during the projection of a film so that the viewer could "smell" what was happening in the movie. Created by Hans Laube, the technique made its only appearance in the 1960 film Scent of Mystery, produced by Mike Todd Jr., son of film producer Mike Todd. The process injected 30 odors into a movie theater's seats when triggered by the film's soundtrack.

conventional video editing using magnetic tape, replaced technology

thumb|upright=1.5|Scene from Poor Cinderella (1934) by [[Fleischer Studios, an animated short which makes use of Cinecolor]] Cinecolor was an early subtractive color-model two-color motion picture process that was based upon the Prizma system of the 1910s and 1920s and the Multicolor system of the late 1920s and the 1930s. It was developed by William T. Crispinel and Alan M. Gundelfinger, and its various formats were in use from 1932 to 1955.

Metrocolor is the trade name used by Metro-Goldwyn-Mayer (MGM) for films processed at their laboratory. Virtually all of these films were shot on Kodak's Eastmancolor film.

thumb|right|250px|Aeroscope (1910) thumb|250px|Geoffrey Malins with aeroscope camera during [[World War I]] Aeroscope, from Ancient Greek ἀήρ (aḗr), meaning "air", and σκοπέω (skopéō), meaning "to look", was a type of compressed air camera for making films, constructed by Polish inventor Kazimierz Prószyński in 1909 (French patent from 10 April 1909) and built in England since 1911, at first by Newman & Sinclair, and from 1912 by Cherry Kearton Limited.

The T-mount is a standard lens mount for cameras and other optical assemblies. The usual T-mount is a screw mount using a male 42×0.75 (42 mm diameter, 0.75 mm thread pitch) metric thread on the lens with a flange focal distance of 55 mm and a mating female 42mm thread on a camera adapter or other optical component. This thread form is referred to as T-thread. (This should not be confused with the M42 lens mount which is also 42 mm diameter, but has a 1 mm thread pitch. The T-thread is sometimes described as "M42×0.75," which is the usual manner in which to describe a

PDTV is an abbreviation short for Pure Digital Television. Often seen as part of the filename of TV shows shared through P2P, The Scene, and FTP servers on the Internet. In this case, PDTV refers not to container, bitrate or dimensions of the video, but the digital nature of the capture source. Non Scene European rippers often use the label DVBRip or DVB-rip to specify a purely digital rip of a Digital Video Broadcast (DVB), however all Scene groups use standardized labeling.

width of photographic or motion picture film

genre of full-length movies filmed (actually or apparently) in a single shot

magnetic tape-based videocassette format

first cut of a film

visual indicator on motion picture films

Showscan is a cinematic process developed by Douglas Trumbull that uses 70mm film photographed and projected at 60 frames per second, 2.5 times the standard speed of movie film.

camera focus control mechanism

filmmaking technique

often undesirable combination of letterboxing and pillarboxing

Optoma () is a Taiwanese projector brand. Its primary products are projectors and digital image processing equipment. Founded in 2002, it is a subsidiary of the Taiwanese electronics and manufacturing company Coretronic. It was listed on the Taiwan Stock Exchange in 2007. With 8% of the projector global market share in 2011, the Optoma brand was the second largest projector brand, behind Epson. By 2011, it had sold the most Digital Light Processing (DLP) projectors internationally for four years.

video capture technology system

350px|thumb|Animatograph in Rossio, [[Lisbon]] The Theatrograph is the first commercially produced 35mm film projector in Britain. It was first demonstrated by R.W. Paul at Finsbury Technical College on February 20, 1896. The use of Paul's Theatrograph in music halls up and down the country popularised early cinema in Britain. It was first revealed to the public at the Egyptian Hall in Piccadilly, London.

Type of camera lens mount

Scanimate is an analog computer animation (video synthesizer) system created by Lee Harrison III of Denver, Colorado. Harrison had developed its predecessor, ANIMAC, which generated used a motion capture system, based on a body suit with potentiometers. In contrast, Scanimate included TV technology. Scanimate's successor was called Caesar, and used a digital computer to control the analog system.

digital video transmission line standard

trademark

right|250px|thumb|A 1905 Kinora at Fotomuseum Antwerp right|250px|thumb| "The Rinoral", also known as Kinora, collection Huis van Alijn The Kinora was an early motion picture device developed by the French inventors Auguste and Louis Lumière in 1895, while simultaneously working on the Cinematograph. It was patented in February 1896.

ratiometric definition of luminance

process of changing one type of television system to another

hardware-accelerated screen recording utility

film-editing machine

shot taken with a camera mounted on a crane in motion pictures

aspect of history

video frame that a compression algorithm codes as a function of one or more of its neighbors

serial digital interface for video transport

type of search engine

technical standard for transporting video

Layer in photographic film

Fulldome refers to immersive dome-based video display environments. The dome, horizontal or tilted, is filled with real-time (interactive) or pre-rendered (linear) computer animations, live capture images, or composited environments.

used in the process of film editing and video editing

a film made with the medium of the Internet

television broadcasting standard used in North America and South Korea

projection screen

Display format

type of oscilloscope used in television production applications

special effect created for motion pictures and television programs using scale models

full reference method for predicting the perceived quality of videos

graphical output device for transferring digital images to photographic film

sound recorded at the time of the filming of movies

Photo-Kinema (some sources say Phono-Kinema) was a sound-on-disc system for motion pictures invented by Orlando Kellum.