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French-language operas

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Carmen
Carmen () is an opera in four acts by the French composer Georges Bizet. The libretto was written by Henri Meilhac and Ludovic Halévy, based on the novella of the same title by Prosper Mérimée. The opera was first performed by the Opéra-Comique in Paris on 3 March 1875, where its breaking of conventions shocked and scandalised its first audiences. Bizet died suddenly after the 33rd performance, unaware that the work would achieve international acclaim within the following ten years. Carmen has since become one of the most popular and frequently performed operas in the classical canon; the "Hab
Don Carlos
opera by Giuseppe Verdi
Faust
grand opera in five acts by Charles Gounod
The Tales of Hoffmann
opéra fantastique by Jacques Offenbach
Orfeo ed Euridice
opera by Christoph Willibald Gluck
William Tell
opera by Gioacchino Rossini
La Fille du régiment
opéra-comique in two acts by Gaetano Donizetti
Samson and Delilah
opera by Camille Saint-Saëns
Lakmé
Lakmé is an opera in three acts by Léo Delibes to a French libretto by Edmond Gondinet and Philippe Gille.
Orpheus in the Underworld
opéra bouffon by Jacques Offenbach
Les vêpres siciliennes
opera by Giuseppe Verdi
The Pearl Fishers
1863 opera by Georges Bizet
Manon
Manon () is an opéra comique in five acts by Jules Massenet to a French libretto by Henri Meilhac and Philippe Gille, based on the 1731 novel ''L'histoire du chevalier des Grieux et de Manon Lescaut'' by the Abbé Prévost. It was first performed at the Opéra-Comique in Paris on 19 January 1884, with sets designed by Eugène Carpezat (act 1), Auguste Alfred Rubé and Philippe Chaperon (acts 2 and 3), and Jean-Baptiste Lavastre (act 4).
La favorite
1840 opera by Gaetano Donizetti
The Love for Three Oranges
satirical opera by Sergei Prokofiev
Werther
Werther is an opera (drame lyrique) in four acts by Jules Massenet to a French libretto by Édouard Blau, Paul Milliet and Georges Hartmann (who used the pseudonym Henri Grémont). It is loosely based on Goethe's epistolary novel The Sorrows of Young Werther, which itself was based on Goethe's own early life. Earlier examples of operas using the story were made by Kreutzer (1792) and Pucitta (1802).
Pelléas et Mélisande
1902 opera by Claude Debussy
Iphigénie en Tauride
opera by Christoph Willibald Gluck
Les Huguenots
opera by Giacomo Meyerbeer
Médée
opéra comique by Luigi Cherubini
Les Indes galantes
opera-ballet by Jean-Philippe Rameau
Roméo et Juliete
opéra in five acts by Charles Gounod
Fra Diavolo
opéra comique by Daniel-François-Esprit Auber
La Belle Hélène
opéra-bouffe in three acts
Jérusalem
Le comte Ory
opera by Gioachino Rossini
Dialogues of the Carmelites
French-language opera by Francis Poulenc
Les Troyens
opera by Hector Berlioz
Thaïs
opera by Jules Massenet
La damnation de Faust
opera by Hector Berlioz
Mignon
Mignon () is an 1866 opéra comique (or opera in its second version) in three acts by Ambroise Thomas. The original French libretto was by Jules Barbier and Michel Carré, based on Goethe's 1795-96 novel Wilhelm Meisters Lehrjahre. The Italian version was translated by Giuseppe Zaffira. The opera is mentioned in James Joyce's "The Dead" (in Dubliners) and Willa Cather's ''The Professor's House''. Thomas's goddaughter Mignon Nevada was named after the main character. The aria “I am Titania” was used repeatedly in the British feature film The Life and Death of Colonel Blimp.
La muette de Portici
opera by Daniel Auber
Hippolyte et Aricie
opera by Jean-Philippe Rameau
La vestale
opera by Gaspare Spontini
L'enfant et les sortilèges
opera by Maurice Ravel
L'heure espagnole
opera by Maurice Ravel
Robert le diable
1831 opera by Giacomo Meyerbeer
Iphigénie en Aulide
opera by Christoph Willibald Gluck
La Juive
opera by Fromental Halévy
Platée
thumb|Jean-Philippe Rameau Platée is an opera in a prologue and three acts by Jean-Philippe Rameau with a libretto by Adrien-Joseph Le Valois d'Orville. Rameau bought the rights to the libretto Platée ou Junon jalouse (Plataea, or Juno Jealous) by Jacques Autreau (1657–1745) and had d'Orville modify it. The ultimate source of the story is a myth related by the Greek writer Pausanias in his Guide to Greece.
Le prophète
opera by Giacomo Meyerbeer
Armide
opera by Christoph Willibald Gluck
Alceste
opera by Jean-Baptiste Lully
Armide
opera by Jean-Baptiste Lully
La voix humaine
forty-minute, one-act opera for soprano and orchestra composed by Francis Poulenc in 1958, based on the play of the same name by Jean Cocteau
Le postillon de Lonjumeau
opera by Adolphe Adam
La Périchole
opera by Jacques Offenbach
La Grande-Duchesse de Gérolstein
opéra bouffe composed by Jacques Offenbach to an original French libretto by Henri Meilhac and Ludovic Halévy
La Navarraise
opera by Jules Massenet
L'Africaine
'''''L'Africaine''' (The African Woman) is an 1865 French grand opéra in five acts with music by Giacomo Meyerbeer and a libretto by Eugène Scribe. Meyerbeer and Scribe began working on the opera in 1837, using the title L'Africaine, but around 1852 changed the plot to portray fictitious events in the life of the Portuguese explorer Vasco da Gama and introduced the working title Vasco de Gama'', the French version of his name. The copying of the full score was completed the day before Meyerbeer died in 1864.
Hérodiade
Hérodiade is an opera in four acts by Jules Massenet to a French libretto by Paul Milliet and Henri Grémont, based on the novella Hérodias (1877) by Gustave Flaubert. It was first performed at the Théâtre de la Monnaie in Brussels on 19 December 1881.
Cendrillon
opera in four acts by Jules Massenet based on Perrault's 1698 version of the Cinderella fairy tale
Le siège de Corinthe
opera by Gioachino Rossini
Djamileh
Djamileh is an opéra comique in one act by Georges Bizet to a libretto by Louis Gallet, based on an oriental tale, Namouna, by Alfred de Musset.
Dardanus
opera by Jean-Philippe Rameau
La vie parisienne
opera by Jacques Offenbach
Les cloches de Corneville
opéra comique
Castor et Pollux
1737 opera by Jean-Philippe Rameau
Hamlet
opera by Ambroise Thomas
Don Quichotte
opera by Jules Massenet