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French-language operas

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Le testament de la tante Caroline
opera/operetta by Albert Roussel
Pomone
opera by Robert Cambert
La nonne sanglante
opera by Charles Gounod
La princesse de Navarre
dramatic work by Jean-Philippe Rameau and Voltaire
Bacchus
opera by Jules Massenet
Idoménée
thumb|Title page of the original libretto Idoménée (English: Idomeneus) is an opera by the French composer André Campra. It takes the form of a tragédie en musique in a prologue and five acts. Idoménée was first performed on 12 January 1712 by the Académie royale de musique at the Théâtre du Palais-Royal in Paris. The libretto, by Antoine Danchet, is based on a stage play by Crébillon père. It later formed the basis of Giambattista Varesco's libretto for Wolfgang Amadeus Mozart's opera Idomeneo.
Les saltimbanques
opéra comique
Le voyage dans la lune
fairy-tale opera by Jacques Offenbach
Iphigénie en Tauride
opera; tragédie lyrique in four acts by Niccolò Piccinni
Le médecin malgré lui
opéra comique by Charles Gounod
Panurge
opera by Jules Massenet
Pigmalion
opera/ballet by Jean-Philippe Rameau
La fille du tambour-major
opera written by Jacques Offenbach
Fantasio
opéra comique by Jacques Offenbach
Adriana Mater
opera by Kaija Saariaho
Mârouf, savetier du Caire
opera by Henri Rabaud
Jocelyn
1888 opera by Benjamin Godard
Le toréador
opera by Adolphe Adam
Polyeucte
1878 opera by Charles Gounod
Guillaume Tell
opéra comique by André-Ernest-Modeste Grétry
Émilie
opera by Kaija Saariaho
La princesse jaune
opera by Camille Saint-Saëns
Giroflé-Girofla
thumb|alt=brightly coloured illustration of an archway of a Moorish with an external staircase and Moorish landscape beyond; a woman stands on the stairs, as an armed man waits at the foot of them, both dressed in exotic robes|1874 illustration for vocal score of Giroflé-Girofla Giroflé-Girofla is an opéra bouffe in three acts with music by Charles Lecocq. The French libretto was by Albert Vanloo and Eugène Leterrier. The story, set in 13th century Spain, concerns twin brides, one of whom is abducted by pirates. The other twin poses as both brides until the first is rescued. The composer chos
Messidor
opera by Alfred Bruneau
La colombe
opera by Charles Gounod
Le Caïd
opera by Ambroise Thomas
Naïs
thumb|Jean-Philippe Rameau Naïs is an opera by Jean-Philippe Rameau first performed on 22 April 1749 at the Opéra in Paris. It takes the form of a pastorale héroïque in three acts and a prologue. The librettist was Louis de Cahusac, in the fourth collaboration between him and Rameau. The work bears the subtitle Opéra pour La Paix, which refers to the fact that Rameau composed the opera on the occasion of the Treaty of Aix-la-Chapelle, at the conclusion of the War of the Austrian Succession. Its original title was Le triomphe de la paix, but criticism of the terms of the treaty led to a change
Echo et Narcisse
opera by Christoph Willibald von Gluck
La grand'tante
opera by Jules Massenet
Uthal
opera by Étienne-Nicolas Méhul
Le pont des soupirs
opera by Jacques Offenbach
Christophe Colomb
opera in two parts by the French composer Darius Milhaud, with libretto by Paul Claudel based on his own play about the life of Christopher Columbus
Gustave III
opera by Daniel-François-Esprit Auber
Les mousquetaires au couvent
opera
Les Francs-juges
unfinished opera by Hector Berlioz
La rencontre imprévue
opera by Christoph Willibald von Gluck
Les Paladins
opera by Jean-Philippe Rameau
Le val d'Andorre
opera by Jacques Fromental Halévy
La reine de Chypre
opera by Jacques Fromental Halévy
Le Juif Polonais
opera by Camille Erlanger
Léonore, ou L’amour conjugal
Opéra-comique by Pierre Gaveaux
Madame Chrysanthème
opera by André Messager
Le jeune sage et le vieux fou
opera by Étienne Méhul
The Last Savage
opera buffa in three acts by Gian Carlo Menotti
Antigone
opera (tragédie musicale) in three acts by Arthur Honegger to a French libretto by Jean Cocteau based on the tragedy Antigone by Sophocles
Démophoon
thumb|Luigi Cherubini Démophoon (sometimes spelt Démophon) is an opera by the composer Luigi Cherubini, first performed at the Académie Royale de Musique (the Paris Opera) on 2 December 1788. It takes the form of a tragédie lyrique in three acts. The libretto, by Jean-François Marmontel, is based on Demofoonte by Metastasio.
Les dragons de Villars
opera by Lous-Aimé Maillart
La part du diable
opera by Daniel François Esprit Auber
La permission de dix heures
opéra-comique by Jacques Offenbach
Bion
opera by Étienne-Nicolas Méhul
Lalla-Roukh
thumb|Poster by Célestin Nanteuil for the premiere of Lalla-Roukh Lalla-Roukh is an opéra comique in two acts composed by Félicien David. The libretto by Michel Carré and Hippolyte Lucas was based on Thomas Moore's 1817 narrative poem Lalla Rookh. It was first performed on 12 May 1862 by the Opéra-Comique at the Salle Favart in Paris. Set in Kashmir and Samarkand, the opera recounts the love story between Nourreddin, the King of Samarkand, and the Mughal princess Lalla-Roukh. Her name means "Tulip-cheeked", a frequent term of endearment in Persian poetry.
Lischen et Fritzchen
operetta by Jacques Offenbach
La fée Urgèle
opéra comique by Egidio Duni
Céphale et Procris
opera by Élisabeth Jacquet de La Guerre
Fiesque
Fiesque (The Genoese Conspiracy) is an opera in three acts by the French composer Édouard Lalo. The libretto, by Charles Beauquier, is based on Schiller's 1784 play, Die Verschwörung des Fiesco zu Genua, an account of the conspiracy in 1547 led by Giovanni Luigi Fieschi against the ruling Doria family. Although completed in 1868, it was not staged until 16 June 2007 when it premiered at the Nationaltheater in Mannheim.
Tancrède
thumb|André CampraTancrède is a 1702 tragédie en musique (a French opera in the lyric tragedy tradition) in a prologue and five acts by composer André Campra and librettist Antoine Danchet, based on Gerusalemme liberata by Torquato Tasso.
La descente d'Orphée aux enfers
opera by Marc-Antoine Charpentier
Déjanire
Déjanire is the title of two related French works by Camille Saint-Saëns: Musique de scène pour ‘Déjanire’ de Gallet (1898) and the four-act opera, or drame lyrique, Déjanire (1910, premiered 1911) for which Saint-Saëns himself fashioned the dramatic scheme and libretto using Gallet's tragedy as a basis. The vocal writing in the musique de scène is exclusively choral in the manner of Ancient Greek narration and commentary, while in the drame lyrique it focuses on solo parts as in most operas. The musique de scène was written to inaugurate an arena in Béziers; the drame lyrique, last of Saint-S
Don Sanche
opera by Franz Liszt
Frédégonde
thumb|upright=1.22|Frontispiece for the vocal score by Paul Steck, 1895