Skip to content
Category

Gesaku

page 1
gesaku
is an alternative style, genre, or school of Japanese literature. In the simplest contemporary sense, any literary work of a playful, mocking, joking, silly or frivolous nature may be called gesaku. Unlike predecessors in the literary field, gesaku writers did not strive for beauty and perfect form in their writings, but rather for popular acceptance. Gesaku writers were dependent on making a living by sale of their books. Like popular magazines and books of the 21st century, their product was aimed at as wide a public as possible. When a book was successful it was usually followed by as many
yomihon
is a type of Japanese book from the Edo period (1603–1867). Unlike other Japanese books of the periods, such as kusazōshi, they had few illustrations, and the emphasis was on the text. In storylines, Buddhist ethics such as karma are often preached, and characters with supernatural powers and imaginary creatures are often depicted.
Kibyōshi
thumb|An example of a is a genre of produced during the middle of the Edo period (1603–1867), from 1775 to the early 19th century, physically identifiable by their yellow-backed covers. Considered to be the first purely adult comic books in Japanese literature, a large picture spanned each page, with descriptive prose and dialogue filling the blank spaces in the image.
kokkeibon
thumb|From Otsuriki (1810) by Jippensha Ikku, a book about how to make shadow pictures The was a genre and type of early modern Japanese novel. It came into being late in the Edo period during the 19th century. As a genre, it depicted the comical behavior occurring in commoners' daily lives.
Sharebon
, which can be roughly translated as "book of manners", was a pre-modern Japanese literary genre, produced during the middle of the Edo period from the 1720s all the way to the end of the 18th century. Plots almost invariably took place in the Yoshiwara pleasure quarters, and usually revolved around the misadventures of two contrasting male archetypes, the "Tsu" or "sophisticate", and the Tanketsu or "one who only pretends at sophistication." The writing had a huge emphasis on humor and dialogue, without much in the way of actual dramatic or narrative plot elements. Physically, were produced u