Gongs

thumb|262px|Two men (right) are lifting the gong depicted on the 13th-century temple reliefs at the Candi Induk, Penataran|Panataran temple complex in [[East Java, Indonesia]] thumb|262px|A gong collection in a gamelan ensemble of instruments – Indonesian Embassy [[Canberra]]

A gangsa is a type of metallophone which is used mainly in Balinese and Javanese Gamelan music in Indonesia. In Balinese gong kebyar styles, there are two types of gangsa typically used: the smaller, higher pitched and the larger . Each instrument consists of several tuned metal bars (either iron or bronze) each placed over an individual resonator. The bars are hit with a wooden , each producing a different pitch. Duration of sound intensity and sound quality factors are generally accomplished by damping the vibration of the bar with the fingers of the free hand. Balinese gong , as with other

The kkwaenggwari (; ) is a small flat gong used in traditional Korean music. It is made of brass and is played with a hard stick. It produces a distinctively high-pitched, metallic tone that breaks into a cymbal-like crashing timbre when struck forcefully. thumb|130px|A kkwaenggwari It is particularly important in samul nori and pungmul, although it is also used in other genres such as Korean shamanic music.

The bonang is an Indonesian musical instrument used in the Javanese gamelan. It is a collection of small gongs (sometimes called "kettles" or "pots") placed horizontally onto strings in a wooden frame (rancak), either one or two rows wide. All of the kettles have a central boss, but around it the lower-pitched ones have a flattened head, while the higher ones have an arched one. Each is tuned to a specific pitch in the appropriate scale; thus there are different bonang for pelog and slendro. They are typically hit with padded sticks (tabuh). This is similar to the other cradled gongs in the ga

instrument

The reyong (also spelled reong) is a musical instrument used in Balinese gamelan. It consists of a long row of metal gongs suspended on a frame. In gamelan gong kebyar, it is played by four players at once, each with two mallets.

The agung is a set of two wide-rimmed, vertically suspended gongs used by the Maguindanao, Maranao, Sama-Bajau and Tausug people of the Philippines as a supportive instrument in kulintang ensembles. The agung is also ubiquitous among other groups found in Palawan, Panay, Mindoro, Mindanao, Sabah, Sulawesi, Sarawak and Kalimantan as an integral part of the agung orchestra.

Talempong is a traditional musical instrument of the Minangkabau people of Western Sumatra, Indonesia. The talempong produce a static texture consisting of interlocking rhythms.

Indonesian musical instrument

thumb|Man playing kenong in a gamelan orchestra (1966) The Kenong is a musical instrument of Indonesia used in gamelan music. It is a kind of gong and is placed on its side. It has the same length and width. Thus, it is similar to the bonang, kempyang, and ketuk, which are also cradled gongs. Kenongs are generally much larger than the aforementioned instruments. However, the kenong has a considerably higher pitch. Its sound stands out because of its unique timbre. Kenong sticks are taller than those of the bonang. The kenong is sometimes played by the same player as the kempyang and ketuk.

Kulintang (, ) is a modern term for an ancient instrumental form of music composed on a row of small, horizontally laid gongs that function melodically, accompanied by larger, suspended gongs and drums.

thumb|right|upright=0.8|Female performer with five-gong yunluo, from Chinese engraving The ( ; literally "cloud gongs" or "cloud of gongs"), is a traditional Chinese musical instrument. It is made up of a set of gongs of varying sizes held within a frame. It was also called in ancient times.

Japanese musical instrument