Hindu music

thumb|Bhajan in Coimbatore, [[Tamil Nadu, during Navratri Golu.]]

thumb|Painting of Gaudiya Vaishnavism|Gaudiya Vaishnava Hindus performing kirtan in [[Bengal. Some traditions practice public kirtan.]] thumb|Sikhs|Sikh kirtan with [[Indian harmoniums and tabla drums (a common and popular pairing), in Kenya (1960s)]]

Hindu religious ritual of worship, a part of puja, in which light is offered

A damaru (, ; Tibetan ཌ་མ་རུ་ or རྔ་ཆུང) is a small two-headed drum used in Hinduism and Tibetan Buddhism. In Hinduism, the damaru is known as the instrument of the Hindu deity Shiva, associated with Tantric traditions. It is said to be created by Shiva to produce spiritual sounds by which the whole universe has been created and regulated. In Tibetan Buddhism, the damaru is used as an instrument in meditation practices.

thumb|Carved conches or Vamavarta shankhas, , Pala Empire|Pala period, India: The leftmost one is carved with the image of [[Lakshmi and Vishnu, and has silver additions.]] thumb|A shankha, 19th century thumb|A Shankha (conch shell) with Vishnu emblem carved

The Hanuman Chalisa is a Hindu devotional hymn (stotra) in praise of Hanuman, and regularly recited by Hindus. It was written by Tulsidas in the Awadhi language and is the best known text from the Ramcharitmanas.

original song written and composed by George Harrison; first recorded by The Beatles

Abhanga is a form of devotional poetry sung in praise of the Hindu god Vitthal, also known as Vithoba. The word "abhang" comes from a for "non-" and bhanga for "ending" or "interrupting", in other words, a flawless, continuous process, in this case referring to a poem. By contrast, the devotional songs known as Bhajans focus on the inward journey. Abhangs are more exuberant expressions of the communitarian experience. Abhanga is considered a form of the ovi. Abhangs are sung during pilgrimage to the temples of Pandharpur, by the devotees. thumb|alt=Abhang|Abhang

Hindu devotional song

oral tradition of the Vedas

Hindu bhajan

Hindu religious hymn in Hindi

oral storytelling technique in the Katha tradition

thumb|Surya, Sun God to whom the hymn is dedicated Ādityahṛdayam (, ) is a Hindu devotional hymn, dedicated to Āditya or Sūrya (the Sun God), found in the Yuddha Kānda (6.105) of Vālmīki's Rāmāyana. It was recited by the sage Agastya to Rāma in the battlefield before fighting with the Rakshasa king Rāvaṇa. In it, Agastya teaches Rāma the procedure of worshiping Āditya for strength to defeat the enemy.

music genre

thumb|right|Bhadragiri Achyuta Das performing Harikatha in Kannada. Harikatha (Kannada: ಹರಿಕಥೆ : Harikathe; Telugu: హరికథ : Harikatha; Marathi: हरीपाठ : Haripatha, ), also known as Harikatha Kaalakshepam in Telugu, Tamil and Malayalam(), is a form of Hindu traditional discourse in which the storyteller explores a traditional theme, usually the life of a saint or a story from an Indian epic. The person telling the story through songs, music and narration is called a Haridasa.

Suprabhatam () is a Sanskrit prayer of the Suprabhātakāvya genre. It is a collection of hymns or verses recited early morning to awaken the deity in Hinduism. The metre chosen for a Suprabhātam poem is usually Vasantatilaka.

Indian religious tradition

Agamani () () are genres of Bengali folk songs celebrating the return of the Goddess Parvati to the home of her parents on the eve of the Hindu autumn festival of Durga Puja. The Aagamani songs describe the return of Parvati to in her rural home, not as Goddess but as daughter, and are followed by Vijaya songs which describe the sorrow of separation three days later as Parvati returns to her husband Shiva.

thumb|Panchavadyam Cherpulasseri Ayyappan Kaavu, Kerala, India thumb|Panchavadyam at anandanathukavu, Ernakulam Panchavadyam (Malayalam: പഞ്ചവാദ്യം), literally meaning an orchestra of five instruments, is basically a temple art form that has evolved in Kerala. Of the five instruments, four — timila, maddalam, ilathalam and idakka — belong to the percussion category, while the fifth, kombu, is a wind instrument.

thumb|The Mohiniyattam of Kerala is an example of the Lasya dance thumb|Nupi Challi Pareng (basic feminine movement) Lasya forms important part of Manipuri dance.