Indian folk music

thumb|Painting of Gaudiya Vaishnavism|Gaudiya Vaishnava Hindus performing kirtan in [[Bengal. Some traditions practice public kirtan.]] thumb|Sikhs|Sikh kirtan with [[Indian harmoniums and tabla drums (a common and popular pairing), in Kenya (1960s)]]

Indian folk dance that originated from the state of Gujarat

poetic artform in India

thumb|Teejan Bai, noted exponent of Pandavani

Bhawaiya is a musical form or a popular folk music that originated in Northern Bengal, especially the Rangpur Division in Bangladesh, Cooch Behar district of West Bengal, India, and the undivided Goalpara district of Assam, India. It has recurrent themes of the "working class", mahouts, mahishals (buffalo herders), and gariyals (cart drivers). Lyrics express pangs of separation and loneliness of their womenfolk, with elongated tones accentuating pain, longing and "deep emotion". Bhawaiya is generally believed to have originated in the 16th century under Biswa Singha, and has evolved into stage

music genre

music genre

Rasiya is a popular genre of Indian folk music from the Braj region of Uttar Pradesh. The style of rasiya consists of multiple sub genres and is performed in a variety of different contexts. The songs have been known to portray a wide range of topics however, they are most commonly sung to a set of stock tunes that often portrays the love of the Hindu god Krishna and goddess Radha. The term rasiya is the Hindi word for “epicure” which refers to the male suitors, or the god Krishna himself as depicted in the songs. Rasiya's are sung and typically played with a variety of instruments, the most c

The powada () is a genre of Marathi poetry that was during the late 17th century in India. Powada, which means ‘to glorify’, is a traditional Marathi ballad that traces its history to more than 750 years Powadas often glorified and celebrated deeds of popular folk figures and leaders such as Chhatrapati Shivaji and Tanaji Malusare, and were also written to raise awareness on social issues such as female foeticide, dowry and corruption. Powadas were also used as a medium to create awareness during Samyukta Maharashtra movement.

folk song sung by Gond women from the state of Chhattisgarh

Ladishah (also spelled Ladi Shah or Laddi Shah) is a storytelling musical genre originated in Jammu and Kashmir with its roots in traditional and humorous folk singing originally sung by minstrels while locally wondering from one place to another. It is usually sung in Kashmiri language to express anguish or to entertain people in a rhythmic form primarily revolves around political, social and cultural issues in the form of ballad or melodious satire. It is identified when an entertainer raises their concerns in the form of humorous and melody singing without a voice break at some occurrences.

Maach is a form of folk theatre from the Malwa region of the Indian state of Madhya Pradesh.

folk songs in Kamrupi dialect

thumb|Oppaari Song An oppari is an ancient form of lamenting in southern India, particularly in Tamil Nadu, Pondicherry, and North-Eastern Sri Lanka. Oppari is a folk song tradition and is often an admixture of eulogy and lament. The oppari is typically sung by a group of women relatives who came to pay respects to the departed in a death ceremony. It is a means to express one's own grief and also to share and assuage one's grief for the deceased. Many communities use the oppari to express their grief at a funeral. Sometimes professional oppari singers are recruited, but it is a dying practice