Category
page 1Indian poetry
Sangam literature
classical Tamil literature

Buddhacarita
thumbnail|Buddha's First Sermon', India, 11th century|alt=A sculpture of Buddha sitting
Buddhacharita (; ) is an epic poem in the Sanskrit mahakavya style on the life of Gautama Buddha by Aśvaghoṣa of Sāketa (modern Ayodhya), composed in the early second century CE.
Itihasa
In Hinduism, Itihasa-Purana, also called the fifth Veda, refers to the traditional accounts of cosmogeny, myths, royal genealogies of the lunar dynasty and solar dynasty, and legendary past events, as narrated in the Itihasa (Mahabharata and the Ramayana) and the Puranas. They are highly influential in Indian culture, and many classical Indian poets derive the plots of their poetry and drama from the Itihasa. The Epic-Puranic chronology derived from the Itihasa-Purana is an influential frame of reference in traditional Indian thought.

Padmavat
Padmavat (or Padmawat) is an epic poem written in 1540 by Sufi poet Malik Muhammad Jayasi, who wrote it in the Awadhi language, and originally in the Persian Nastaʿlīq script. It is the oldest extant text among the important works in Awadhi. A famous piece of Sufi literature from the period, it relates an allegorical fictional story about Delhi Sultan Alauddin Khalji's desire for the titular Padmavati, the Queen of Chittor based on historic conquest of chittor. Alauddin Khalji and Padmavati's husband Ratan Sen are historical figures, whereas Padmavati may have been a fictional character.
Indian epic poetry
epic poetry of the Indian subcontinent
Thiruppaan Alvar
poet-saint of Sri Vaishnavism
Kavi sammelan
Gathering of poets in Hindi-speaking areas of N. India
Astakam
The term ashtakam (), also often written astakam, is derived from the Sanskrit word aṣṭā, meaning "eight". In context of poetic compositions, 'ashtakam' refers to a particular form of poetry, written in eight stanzas.
Indian poetry
poetry from India
Siribhoovalaya
The Siribhoovalaya () is a work of multi-lingual literature written by Kumudendu Muni, a Jain monk. The work is unique in that it employs not letters, but is composed entirely in Kannada numerals. The Saangathya metre of Kannada poetry is employed in the work. It uses numerals 1 through 64 and employs various patterns or bandhas in a frame of 729 (27×27) squares to represent alphabets in nearly 18 scripts and over 700 languages.