Category
page 1Marriage in Islam
An-Nisāʼ
An-Nisa' (, ; The Women) is the fourth chapter (sūrah) of the Quran, with 176 verses (āyāt). The title derives from the references to women throughout the chapter, including verse 34 and verses .
An-Nūr
thumb|upright=1.2|Double-page from the Qur'an with chapter heading and the first five verses of the sura An-Nur (left side). Iran, 1186.
At-Tahrim
At-Taḥrīm (, 'Banning, Prohibition') is the 66th Surah or chapter of the Quran and contains 12 verses (ayah). This Surah deals with questions regarding Muhammad's wives.
marriage in Islam
legal contract between a man and a woman of their free wills
Muhammad's wives
13 women married to Muhammad and brief outlines of the circumstances of the marriages
mahr
In Islam, a mahr (in ; ; Bengali: দেনমোহর; ; ; ; also transliterated mehr, meher, denmohor, mehrieh, or mahriyeh) is the bride wealth obligation, in the form of money, possessions or teaching of verses from the Quran by the groom, to the bride in connection with an Islamic wedding. While the mahr is often money, it can also be anything agreed upon by the bride such as jewellery, home goods, furniture, a dwelling or some land. Mahr is typically specified in the marriage contract signed upon marriage.
nikah mut‘ah
temporary marriage in Shiite Islam
iddah
In Islam, '’iddah or iddat''''' (; "period of waiting") is the period a woman must observe after the death of her husband or after a divorce, during which she may not marry another man. One of its main purposes is to remove any doubt as to the paternity of a child born after the divorce or death of the prior husband.
mahram
In Islam, a () is a family member with whom marriage would be considered permanently unlawful (haram). A woman does not need to wear hijab around her mahram or spouse, and an adult male mahram or husband may escort a woman on a journey, although an escort may not be obligatory.
Umm walad
arabic term for a slave-concubine that mothers a master's child
Urf
'''''' () is an Arabic Islamic term referring to the custom, or 'knowledge', of a given society. It can also be translated as customary law. To be recognized in an Islamic society, must in principle be compatible with Sharia, but in practice tensions sometimes exist between the representatives of and those of Sharia. When applied, it can lead to the deprecation or inoperability of a certain aspect of fiqh (Islamic jurisprudence).
Nikah Halala
Islamic marriage practice

Walima
thumb|right|A Bengali Muslim bride on her [[Bou Bhat, the Bengali version of Walima]]
'''''' () is the second of the two parts of an Islamic wedding. It is the wedding reception banquet and is performed after the (marriage ceremony). It designates a feast in Arabic. The is used as a symbol to show domestic happiness in the household post-marriage, and to announce the marriage openly for recognition of the new couple. The walima generally takes place in the locale where the newly married couple is to reside. While cultural practices may differ, marriage expenses and costs of the walima are gene
Islamic marital jurisprudence
legal and social contract between two individuals

Child marriage among Muslims in Kerala
Marriage in Kerala, India
nafaqah
Nafaqah (), nafaqa or nafkah is the Islamic legal term for the financial support a husband must provide for his wife (during marriage and for a time after divorce) and children.
customary marriage
Islamic marriage contract

Haq (2025 film)
Haq (transl. Right) is a 2025 Indian Hindi-language courtroom drama film directed by Suparn Verma. It stars Yami Gautam Dhar and Emraan Hashmi, alongside Sheeba Chaddha in a pivotal role. Produced by Vineet Jain, Vishal Gurnani, Juhi Parekh Mehta, Vicky Jain and Harman Baweja under the banners Junglee Pictures, Insomnia Films and Baweja Studios respectively. It is inspired by journalist Jigna Vora’s book Bano: Bharat ki Beti which is based on the landmark Supreme Court judgement of Mohd. Ahmed Khan v. Shah Bano Begum. The film’s screenplay was written by Reshu Nath, with music composed by Vishal Mishra, cinematography by Pratham Mehta and editing by Ninad Khanolkar.