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Operas

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Dinorah
Dinorah, originally Le pardon de Ploërmel (The Pardon of Ploërmel), is an 1859 French opéra comique in three acts with music by Giacomo Meyerbeer and a libretto by Jules Barbier and Michel Carré. The story takes place near the rural town of Ploërmel and is based on two Breton tales by Émile Souvestre, "La Chasse aux trésors" and "Le Kacouss de l'Armor", both published separately in 1850 in the Revue des deux mondes.
Hans Heiling
opera by Heinrich Marschner
Scanderbeg
opera by Antonio Vivaldi
Armida
opera by Joseph Haydn
Ugo, conte di Parigi
opera by Gaetano Donizetti
Mireille
opera by Charles Gounod
Shah Abbas and Khurshid Banu
opera by Uzeyir Hajibeyov
Rappresentatione di Anima, et di Corpo
opera by Emilio de' Cavalieri
Il crociato in Egitto
opera by Giacomo Meyerbeer
Der beglückte Florindo
Der beglückte Florindo (The Delighted Florindo), HWV 3, is an opera composed by Handel at the request of Reinhard Keiser, the manager of the Hamburg Opera. It was first performed (after Handel had left for Italy) at the Oper am Gänsemarkt in January 1708. It was probably directed from the harpsichord by Christoph Graupner and took place most likely after Handel's completion of his first Italian opera, Rodrigo.
I Medici
opera by Ruggero Leoncavallo
Don Procopio
opera by Georges Bizet
L'Arlesiana
() is an opera in three acts by Francesco Cilea to an Italian libretto by Leopoldo Marenco. It was originally written in four acts, and was first performed on 27 November 1897 at the Teatro Lirico in Milan. It was revised as a three-act opera in 1898, and a prelude was added in 1937.
Thespis
opera by Arthur Sullivan
Il campanello
Opera by Gaetano Donizetti
Floridante
thumb|upright=1.1|George Frideric HandelFloridante (HWV 14) is an opera seria in three acts by George Frideric Handel. The Italian-language libretto was by Paolo Antonio Rolli after Francesco Silvani's libretto for Marc'Antonio Ziani dramma per musica La costanza in trionfo of 1696.
Saint François d'Assise
opera by Olivier Messiaen
The Voyevoda
opera by Pyotr Ilyich Tchaikovsky
Les mamelles de Tirésias
surrealist opéra bouffe by Francis Poulenc
Die Kluge
opera by Carl Orff
Háry János
opera by Zoltán Kodály
The Devil's Wall
opéra by Bedřich Smetana
Bánk bán
opera by Ferenc Erkel
Amadis
opera by Jean-Baptiste Lully
Guglielmo Ratcliff
opera by Pietro Mascagni
If Not That One, Then This One
operetta by Uzeyir Hajibeyov
Goyescas
opera by Enrique Granados
Œdipe
opera by Georges Enescu
Juliette
Julietta is an opera by Bohuslav Martinů, who also wrote the libretto, in French, based on the play Juliette ou la Clé des songes (Juliette, or The Key of Dreams) by the French author Georges Neveux. A libretto in Czech was later prepared for its premiere which took place at the Prague National Theatre on 16 March 1938. Julietta has become widely considered as Martinů's masterpiece.
Zampa
thumb|upright=1.35|A scene from Hérold's Zampa Zampa, ou La fiancée de marbre (Zampa, or the Marble Bride) is an opéra comique in three acts by French composer Ferdinand Hérold, with a libretto by Mélesville.
Cyrano de Bergerac
opera by Franco Alfano
Maddalena
opera by Sergei Prokofiev
The Secret
opera by Bedřich Smetana
Ezio
opera by Georg Friedrich Händel
Asli and Kerem
Opera by Uzeyir Hajibeyov
Gipsy Love
operetta by Franz Lehár
Renard
opera by Stravinsky
Der Barbier von Bagdad
opéra comique
Curlew River
1964 opera by Benjamin Britten
Poro
Opera by Georg Friedrich Händel
Rosmonda d'Inghilterra
opera by Gaetano Donizetti
Flavio
thumb|upright=1.1|George Frideric Handel '''''Flavio, re de' Longobardi''''' ("Flavio, King of the Lombards", HWV 16) is an opera seria in three acts by George Frideric Handel. The Italian-language libretto was by Nicola Francesco Haym, after Matteo Noris's Flavio Cuniberto. It was Handel's fourth full-length opera for the Royal Academy of Music. Handel had originally entitled the opera after the character of Emilia in the opera.
Eine florentinische Tragödie
opera by Alexander von Zemlinsky
The Jacobin
opera by Antonín Dvořák
Maria de Rudenz
opera by Gaetano Donizetti
Zazà
thumb|Cover of piano score, 1919|alt=cover with ornamental lettering and image of young woman in early 20th century evening costume, with elaborately feathered hat Zazà () is an opera by Ruggero Leoncavallo, with a libretto by the composer, which draws on the same material as the French play Zaza (1898). The story concerns the French music hall singer, Zazà, and her affair and subsequent decision to leave her lover, Milio, when she discovers that he is married. The music is influenced by the French music halls where Leoncavallo had spent his early years as a composer.
Il fortunato inganno
opera by Gaetano Donizetti
Otto mesi in due ore
opera by Gaetano Donizetti
Francesca da Rimini
opera by Riccardo Zandonai
Tolomeo
thumb|Autograph of Tolomeo, 1728 '''''Tolomeo, re d'Egitto''''' ("Ptolemy, King of Egypt", HWV 25) is an opera seria in three acts by George Frideric Handel to an Italian text by Nicola Francesco Haym, adapted from Carlo Sigismondo Capece's Tolomeo et Alessandro. It was Handel's 13th (or 14th if the one act Handel contributed to the collaborative opera Muzio Scevola is counted) and last opera for the Royal Academy of Music (1719) and was also the last of the operas he composed for the triumvirate of internationally renowned singers, the castrato Senesino and the sopranos Francesca Cuzzoni and
Tarare
opera by Antonio Salieri
Hunyadi László
opera by Ferenc Erkel
Le roi d'Ys
opera by Édouard Lalo
The Indian Queen
semi-opera by Henry Purcell
The Yeomen of the Guard
opera by Arthur Sullivan
Emilia di Liverpool
opera by Gaetano Donizetti
The Kiss
opera by Bedřich Smetana
When the Fern Blooms
opera by Yevhen Stankovych
Sosarme
thumb|upright=1.1|George Frideric HandelSosarme, re di Media ("Sosarmes, King of Media", HWV 30) is an opera by George Frideric Handel written in 1732 for the King's Theatre in the Haymarket, London, where it ran for 12 performances. The text was based on an earlier libretto by Antonio Salvi, Dionisio, Re di Portogallo (Dionisius, King of Portugal), and adapted by an unknown writer. The original setting of Portugal was changed to Sardis in Lydia.
Motezuma
Motezuma, RV 723, is an opera in three acts by Antonio Vivaldi with an Italian libretto by Alvise Giusti. The libretto is very loosely based on the life of the Aztec ruler Montezuma who died in 1520. The first performance was given in the Teatro Sant'Angelo in Venice on 14 November 1733. (In earlier reference books the opera is referred to as Montezuma, but since the reappearance of the original manuscript this has been corrected to Motezuma.) The music was thought to have been lost, but was discovered in 2002 in the archive of the music library of the Sing-Akademie zu Berlin. Its first fully