Category
page 1Pakistani poetics
ghazal
thumb|An illustrated headpiece from a mid-18th century collection of ghazals and Rubaʿi|rubāʻīyāt
masnavi
Mathnawi ( ), also spelled masnavi, mesnevi or masnawi, is a kind of poem written in rhyming couplets, or more specifically "a poem based on independent, internally rhyming lines". Most mathnawi poems follow a meter of eleven, or occasionally ten, syllables, but had no limit in their length. Typical mathnawi poems consist of an indefinite number of couplets, with the rhyme scheme aa/bb/cc.

mukhammas
Mukhammas (Arabic مخمس 'fivefold') refers to a type of Persian or Urdu cinquain or pentastich with Sufi connections based on a pentameter. And have five lines in each paragraph.
musaddas
Musaddas () is a genre of Urdu poetry in which each unit consists of 6 lines-sestain- (misra). Famous early writers employing this form are Mir Anis and Dabeer. Maulana Altaf Husain Hali and Waheed Akhtar are other well-known poets to find expression in this form of poetry. Particularly iconic is Hali's Madd-o-Jazr-e-Islam as an exemplary of this form.
Urdu poetry
tradition of poetry
Nazm
Nazm () is a major part of Urdu and Sindhi poetry that is normally written in rhymed verse and also in modern prose-style poems. is a significant genre of Urdu and Sindhi poetry; the other one is known as ghazal.

Kafi
Kafi is a classical form of Sufi music in the Punjabi and Sindhi languages that originated from the Punjab and Sindh regions of South Asia. Some well-known Kafi poets are Baba Farid, Bulleh Shah, Shah Hussain, Shah Abdul Latif Bhittai, Sachal Sarmast and Khwaja Ghulam Farid. This poetry style has also lent itself to the Kafi genre of singing, popular throughout South Asia, especially Pakistan, Bangladesh and India. Over the years, both Kafi poetry and its rendition have experienced rapid growth phases as various poets and vocalists added their own influences to the form, creating a rich and va