Phonaesthetics

A rhyme is a repetition of similar sounds (usually the same phonemes) in the final stressed syllables and any following syllables of two or more words. Most often, this kind of rhyming (perfect rhyming) is consciously used for a musical or aesthetic effect in the final position of lines within poems or songs. More broadly, a rhyme may also variously refer to other types of similar sounds near the ends of two or more words. Furthermore, the word rhyme has come to be sometimes used as a shorthand term for any brief poem, such as a nursery rhyme or Balliol rhyme.

Sandhi ( ; , ) is any of a wide variety of sound changes that occur at morpheme or word boundaries. Examples include fusion of sounds across word boundaries and the alteration of one sound depending on nearby sounds or the grammatical function of the adjacent words. Sandhi belongs to morphophonology.

Phonaesthetics (also spelled phonesthetics in North America) is the study of the beauty and pleasantness associated with the sounds of certain words or parts of words. The term was first used in this sense, perhaps by during the mid-20th century and derives . Speech sounds have many aesthetic qualities, some of which are subjectively regarded as euphonious (pleasing) or cacophonous (displeasing). Phonaesthetics remains a budding and often subjective field of study, with no scientifically or otherwise formally established definition; today, it mostly exists as a marginal branch of psychology, p

non-arbitrary attachment of sounds to object shapes

thumb|A sculpture demonstrating an example of Japanese sound symbolism, "jaan!" () An ideophone (also known as a mimetic or expressive) is a member of the class of words that depict sensory imagery or sensations, evoking ideas of action, sound, movement, color, or shape. The class of ideophones is the least common syntactic category cross-linguistically; it occurs mostly in African, Australian, and Amerindian languages, and sporadically elsewhere. Ideophones resemble interjections but are different owing to their special phonetic or derivational characteristics, and based on their syntactic fu

artistic form bridging literary and musical composition, in which the phonetic aspects of human speech are foregrounded instead of more conventional semantic and syntactic values

'''''' () are the linguistic experiments in sound symbolism and language creation of Russian Cubo-Futurist poets such as Velimir Khlebnikov and Aleksei Kruchenykh. Zaum is a non-referential phonetic entity with its own ontology. The language consists of neologisms that mean nothing. Zaum is a language organized through phonetic analogy and rhythm. Zaum literature cannot contain any onomatopoeia or psychopathological states.

study in linguistics of resemblances between sounds and meanings

name of a thing or being that expresses its true nature

French artist (1930-1982)

large amount of sound mimeses words in Japanese

humorous dictionary of toponymy and etymology

1955 J. R. R. Tolkien lecture