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Photocomposition typefaces

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Garamond
Garamond is a group of many serif typefaces, named for sixteenth-century Parisian engraver Claude Garamond, generally spelled as Garamont in his lifetime. Garamond-style typefaces are popular to this day and often used for book printing and body text.
Bodoni
thumb|Facsimile of lines from Dante's "[[La Vita Nuova", first published with Bodoni types by the Officina Bodoni in 1925. Actual font is the digital Bodoni Monotype published in 1999.]]
Futura
geometric sans-serif typeface
Palatino
Palatino is an old-style serif typeface designed by Hermann Zapf, initially released in 1949 by the Stempel foundry and later by other companies, most notably the Mergenthaler Linotype Company. Palatino is optimised for legibility with open counters, balanced proportions, moderate stroke contrast and flared serifs.
Univers
Univers () is a sans-serif typeface family designed by Adrian Frutiger and released by his employer Deberny & Peignot in 1957. Classified as a neo-grotesque sans-serif, one based on the model of nineteenth-century German typefaces such as Akzidenz-Grotesk, it was notable for its availability from the moment of its launch in a comprehensive range of weights and widths. The original marketing for Univers deliberately referenced the periodic table to emphasise its scope.
Baskerville
Baskerville is a serif typeface designed in 1757 by John Baskerville in Birmingham, England, and cut into metal by punchcutter John Handy. Baskerville is classified as a transitional typeface, intended as a refinement of what are now called old-style typefaces of the period, especially those of his most eminent contemporary, William Caslon.
Caslon
Caslon is the name given to serif typefaces designed by William Caslon I in London, or inspired by his work.
Cooper Black
ultra-bold serif typeface
Franklin Gothic
typeface
Akzidenz-Grotesk
Akzidenz-Grotesk is a sans-serif typeface family originally released by the Berthold Type Foundry of Berlin in 1898. '''' indicates its intended use as a typeface for commercial print runs such as publicity, tickets and forms, as opposed to fine printing, and "grotesque" was a standard name for sans-serif typefaces at the time ("grotesque" in its original sense; bizarre, odd, or outlandish, not necessarily ugly, but visually jarring and outside the norm at the time).
ITC Avant Garde
free geometric sans-serif typeface family
Hobo
typeface
Eurostile
Eurostile is a geometric sans-serif typeface designed by Aldo Novarese in 1962. Novarese created Eurostile for Nebiolo, an Italian foundry in Turin.
Microgramma
geometric sans-serif typeface
Copperplate Gothic
glyphic typeface designed by Frederic Goudy in 1901
Bank Gothic
geometric sans-serif typeface
Albertus
typeface
Broadway
typeface
Goudy Old Style
typeface
Bell Gothic
sans-serif typeface
Peignot
typeface
Janson
Janson is the name given to a set of old-style serif typefaces from the Dutch Baroque period, and modern revivals from the twentieth century. Janson is a crisp, relatively high-contrast serif design, most popular for body text.
Folio
typeface
Mistral
typeface
ITC Benguiat
typeface designed by Ed Benguiat in 1977
American Typewriter
slab serif typeface created in 1974
Aldus
typeface
Banco
typeface
Cheltenham
font, typeface
Egyptienne
typeface