Skip to content
Category

Tamil Jain literature

page 1
Tirukkuṟaḷ
The Tirukkuṟaḷ (), or shortly the Kural (), is a classic Tamil language text on commoner's morality consisting of 1,330 short couplets, or kurals, of seven words each. The text is divided into three books with aphoristic teachings on virtue (aram), wealth (porul) and love (inbam), respectively. It is widely acknowledged for its universality and secular nature. Its authorship is traditionally attributed to Valluvar, also known in full as Thiruvalluvar. The text has been dated variously from 300 BCE to 5th century CE. The traditional accounts describe it as the last work of the third Sangam, but
Silappatikaram
Cilappatikāram (, ), also referred to as Silappathikaram or Silappatikaram, is the earliest Tamil epic. It is a poem of 5,730 lines in almost entirely akaval (aciriyam) meter. The epic is a tragic love story of an ordinary couple, Kaṇṇaki and her husband Kōvalaṉ. The Cilappatikāram has more ancient roots in the Tamil bardic tradition, as Kannaki and other characters of the story are mentioned or alluded to in the Sangam literature such as in the Natṟiṇai and later texts such as the Kovalam Katai. It is attributed to a prince-turned-jain-monk Iḷaṅkō Aṭikaḷ, and was probably composed in the 5th
Civaka Cintamani
one of five great Tamil epics, Jain
Nālaṭiyār
The Nālaṭiyār () is a classical Tamil Jain poetic work of didactic nature, forming part of the Eighteen Lesser Texts (Patiṉeṇkīḻkaṇakku) anthology of Tamil literature. It consists of four hundred quatrains that impart moral teachings and ethical reflections, consistent with Jain philosophical thought.This belongs to the post Sangam period corresponding to between 100 and 500 CE. Nālaṭiyār contains 400 poems, each containing four lines. Every poem deals with morals and ethics, extolling righteous behaviour.
Vaḷaiyāpati
Valaiyapadhi (; ), also spelled Valayapathi, is one of the five great Tamil epics, but one that is almost entirely lost. It is a story of a father who has two wives, abandons one who gives birth to their son, and the son grows up and seeks his real father. The dominant emotion of this epic is love, and its predominant object is the inculcation of Jain principles and doctrines.