Woodcuts

thumb|The Four Horsemen by Albrecht Dürer, depicting the [[Four Horsemen of the Apocalypse]]

woodcut by Albrecht Dürer

250px|thumb|The Mice Are Burying the Cat, a 1760s lubok print, has been commonly thought to be a caricature of Peter the Great's burial, authored by his opponents. The caption above the cat reads: "The Cat of Kazan, the Mind of Astrakhan, the Wisdom of Siberia" (a parody of the title of Russian tsars). Modern researchers have said that this is a representation of carnivalesque inversion, "turning the world upside down".

tradition of pictorial Bibles

political cartoon by Benjamin Franklin

early printed book in which each page is printed from a single block

series of fifteen woodcuts by Albrecht Dürer

narrative genre that uses sequences of pictures to tell a story

painting by Albrecht Dürer, Kunsthistorisches Museum, Wien

16th-century monumental woodcut print

1914 woodcut by Raoul Dufy

print by Albrecht Dürer

woodcut series by Dürer

Buddhist scripture

book by Thomas Bewick

woodcut of a Bird's eye view of Venice on six sheets in three states by Jacopo de' Barbari, created 1500

print by Albrecht Dürer from the series Life of the Virgin

thumb|The White King Learning to Conduct a Kitchen, woodcut by Hans Burgkmair

thumb|Titlepage of the 1553 edition thumb|Woodcut illustration by [[Leonhard Beck]] Theuerdank (Teuerdank, Tewerdanck, Teuerdannckh) is a poetic work the composition of which is attributed to the Holy Roman Emperor, Maximilian I (1486-1519). Written in German, it tells the fictionalised and romanticised story of Maximilian's journey to marry Mary of Burgundy in 1477. The published poem was accompanied by 118 woodcuts designed by the artists Leonhard Beck, Hans Burgkmair, Hans Schäufelein and others. Its newly designed blackletter typeface was influential.

woodcuts serie by Dürer

Wikimedia list article

woodcut by M. C. Escher

drawing series

series of woodcut prints commissioned by Emperor Maximilian I

woodcut series of 20 woodcuts by Albrecht Dürer

wood engraving print by M. C. Escher

1835–36 book by William Yarrell