
right|thumb|upright|Joaquim Antônio da Silva Calado|Joaquim Callado (1848-1880), considered one of the creators of the choro genre Choro (, "cry" or "lament"), also popularly called chorinho ("little cry" or "little lament"), is an instrumental Brazilian popular music genre which originated in 19th century Rio de Janeiro. Despite its name, the music often has a fast and happy rhythm. It is characterized by virtuosity, improvisation and subtle modulations, and is full of syncopation and counterpoint. Choro is considered the first characteristically Brazilian genre of urban popular music. The se
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right|thumb|upright|Joaquim Antônio da Silva Calado|Joaquim Callado (1848-1880), considered one of the creators of the choro genre Choro (, "cry" or "lament"), also popularly called chorinho ("little cry" or "little lament"), is an instrumental Brazilian popular music genre which originated in 19th century Rio de Janeiro. Despite its name, the music often has a fast and happy rhythm. It is characterized by virtuosity, improvisation and subtle modulations, and is full of syncopation and counterpoint. Choro is considered the first characteristically Brazilian genre of urban popular music. The serenaders who play choros are known as chorões.
==Choro instruments== thumb|Instruments commonly played in choro, from left to right: the seven-string guitar, the acoustic guitar, the [[mandolin, the flute, the cavaquinho and the pandeiro]] Originally choro was played by a trio of flute, guitar and cavaquinho (a small chordophone with four strings). Other instruments commonly played in choro are the mandolin, clarinet, saxophone, trumpet and trombone. These melody instruments are backed by a rhythm section composed of 6-string guitar, seven-string guitar (playing bass lines) and light percussion, such as a pandeiro. The cavaquinho appears sometimes as a melody instrument, other times as part of the rhythm.
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