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Alternative rock genres

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grunge
Grunge (originally known as the Seattle Sound) is an alternative rock genre and subculture that emerged during the in the U.S. state of Washington, particularly in Seattle and Olympia, and other nearby cities. Grunge fuses elements of punk rock and heavy metal, and features the distorted electric guitar sound used in both genres, as well as bass guitar, drums, and vocals. Grunge also incorporates influences from indie rock bands such as Sonic Youth, Pixies, and Dinosaur Jr. Lyrics are typically angst-filled and introspective, often addressing themes such as social alienation, self-doubt, abuse
emo
Emo ( ) is a genre of rock music that combines musical characteristics of hardcore punk with emotional, often confessional lyrics. It emerged as a style of hardcore punk and from the Washington, D.C., hardcore scene, where it was known as emotional hardcore or emocore. The bands Rites of Spring and Embrace, among others, pioneered the genre. In the late 1980s, Maryland bands Moss Icon and the Hated adopted and reinvented this sound, putting less influence on its punk roots. In the early-to-mid 1990s, their influence led emo to be adopted by alternative rock, indie rock, and pop-punk bands, inc
alternative metal
music subgenre of heavy metal and alternative rock
post-rock
Post-rock is a subgenre of experimental rock that emphasizes texture, atmosphere, and non-traditional song structures over conventional rock techniques. Post-rock artists often combine rock instrumentation and rock stylings with electronics and digital production as a means of enabling the exploration of textures, timbres and different styles. Vocals, when present, are often used as an instrumental layer, with many bands opting for entirely instrumental compositions. The genre began in indie and underground music scenes, but deviated.
noise rock
experimental rock music mixed with noise
industrial rock
music genre
indie folk
music genre
math rock
style of rock music
college rock
music genre
post-punk revival
genre of indie rock music
alternative dance
dance music genre
noise pop
music genre
neo-psychedelia
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post-Britpop
Post-Britpop is an alternative rock subgenre and is the period in the late 1990s and early 2000s, following Britpop, when the media were identifying a "new generation" or "second wave" of guitar bands influenced by acts like Oasis and Blur, but with less overt British concerns in their lyrics and making more use of American rock and indie influences, as well as experimental music. Bands in the post-Britpop era that had been established acts, but gained greater prominence after the decline of Britpop, such as Radiohead and the Verve, and new acts such as Keane, Snow Patrol, Stereophonics, Feede
ethereal wave
music genre
dark cabaret
genre of cabaret influenced by goth and punk
slowcore
Slowcore, also known as sadcore, is a subgenre of indie rock characterised by its subdued tempos, minimalist instrumentation, and sombre vocal performances. Slowcore's influences are diverse, involving various other genres, including folk rock, alternative rock, and dream pop. As a result of these contrasting stylistic directions, there is no definitive characterisation of the genre.
Paisley Underground
music genre
Midwest emo
subgenre of emo
chamber pop
subgenre of indie pop or indie rock
grebo
short-lived subgenre of alternative rock that incorporated influences from punk rock, electronic dance music, hip hop and psychedelia
Christian alternative rock
alternative rock music music lyrically grounded in a Christian worldview
baggy
Baggy is a British alternative dance genre popular in the late 1980s and early 1990s, and generally associated with the Northern UK's Madchester scene. The style saw alternative rock bands draw influence from psychedelia as well as dance music.
pagan rock
music genre
Latin alternative
Alternative music fused with Latin music
Dunedin sound
genre of indie pop music