Category
page 1Cubism
cubism
thumb|upright=1.15|Pablo Picasso, 1910, Girl with a Mandolin (Fanny Tellier), oil on canvas, 100.3 × 73.6 cm, [[Museum of Modern Art, New York]]
Gertrude Stein
American author (1874–1946)

collaging
thumb|right|300px|Kurt Schwitters, Das Undbild, 1919, [[Staatsgalerie Stuttgart]]
Collage (, from the , "to glue" or "to stick together") is a technique of art creation, primarily used in the visual arts, by which art results from an assembly of different forms, thus creating a new whole. Collage may refer to the technique as a whole, or more specifically to a two-dimensional work, assembled from flat pieces on a flat substrate, whereas assemblage typically refers to a three-dimensional equivalent.
Pierre Reverdy
French poet (1889-1960)
Orphism
art movement
Abstraction-Création
Abstraction-Création was a loose association of artists formed in Paris in 1931 to counteract the influence of the Surrealist group led by André Breton.

Cubo-Futurism
thumb|Natalia Goncharova, Cyclist (painting)|Cyclist (1913), oil on canvas, 78×105 cm, State Russian Museum|right
Cubo-Futurism () was an art movement, developed within Russian Futurism, that arose in early 20th-century Russia, defined by its amalgamation of the artistic elements found in Italian Futurism and French Analytical Cubism. Cubo-Futurism was the main school of painting and sculpture practiced by the Russian Futurists.
In 1913, the term "Cubo-Futurism" first came to describe works from members of the poetry group "Hylaeans", as they moved away from poetic Symbolism towards Futurism
Section d'Or
art group
Sergei Shchukin
Russian art collector (1854-1936)
Jack of Diamonds
Russian/Soviet art group
House of the Black Madonna
building in Prague, Czech Republic
Thomas Kellner
German photographer, lecturer, curator (born 1966)
Czech Cubism
avant-garde art movement

Orthodox synagogue in Bratislava
synagogue in the Old Town of Bratislava, Slovakia

Tobeen
Tobeen (July 20, 1880 – March 1938) is the pseudonym of the French artist Félix Bonnet.
papier collé
type of collage and collaging technique
Léonce Rosenberg
French art dealer and art historian (1879-1947)
Rondocubism
thumb|Legiobanka in Prague, Na poříčí Street
Czech Art Deco, Legiobank style, National style, National decorativeness, Curved Cubism, Rondocubism or Third Cubist style is a series of terms used to describe the characteristic style of architecture and applied arts, which existed mainly during the First Czechoslovak Republic.
In the beginning, this particular style was completely neglected. Some rehabilitation has taken place since the 1950s. In the 1990s, attempts were made to place this specifically Czech style in the context of European Art Deco.
Erster Deutscher Herbstsalon
art exhibition in Berlin (1913)
Proto-Cubism
thumb|300px|Pablo Picasso, 1909, ''[[Brick Factory at Tortosa (Briqueterie à Tortosa, L'Usine, Factory at Horta de Ebro)'', oil on canvas. 50.7 x 60.2 cm, (Source entry State Museum of New Western Art, Moscow) The State Hermitage Museum, Saint Petersburg]]
Proto-Cubism (also referred to as Protocubism, Early Cubism, and Pre-Cubism or Précubisme) is an intermediary transition phase in the history of art chronologically extending from 1906 to 1910. Evidence suggests that the production of proto-Cubist paintings resulted from a wide-ranging series of experiments, circumstances, influences and con
Tubism
thumb|upright=1.2|Fernand Léger, The Railway Crossing, 1919, oil on canvas, 53.8 x 64.8 cm, [[The Art Institute of Chicago, an example of Tubism]]
Tubisme is a term from the art world that carries two distinct meanings. On the one hand, it refers to a variant within cubism identified by art critic Louis Vauxcelles in 1911, in which artists such as Fernand Léger employed cylindrical, tubular, and spherical forms in vivid colors to suggest movement and dynamism. Meant as derision, the term was inspired by Léger's idiosyncratic version of cubism, in which he emphasized cylindrical shapes. The sty
Maurice Princet
French mathematician (1875–1973)