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Gertrude Stein

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Gertrude Stein

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Also known as Gertruda Stein, Gertruda Staĭn

American author (1874–1946)

AI overview

Gertrude Stein was an American author who lived from 1874 to 1946 and became known for experimental writing that challenged conventional storytelling. Her innovative approach to language and literature influenced modernist writing and made her an important figure in 20th-century American letters.

AI-generated from the Wikipedia summary — may contain errors.

Person · Open Library

Born
3 February 1874
Died
27 July 1946
Works
275

Top works

  • Doctor Faustus lights the lights
  • Dix portraits
  • Shalosh nashim
  • Brewsie and Willie
  • Q.E.D. Las cosas como son

via Open Library + Wikidata

Music · MusicBrainz

Type
Person
Gender
Female
Origin
United States
Active from
1874-02-03
Active to
1946-07-27
poetry

via MusicBrainz · CC0

Listeners · Last.fm

Listeners
2,220
Total plays
8,565

Tags

poetryspoken wordAvant-Gardeclassicdeceased

Gertrude Stein (February 3, 1874 – July 27, 1946) was an American writer who spent most of her life in France, and who became a catalyst in the development of modern art and literature. Her life was marked by two primary relationships, the first with her brother Leo Stein, from 1874-1914 (Gertrude and Leo), and the second with Alice B. Toklas, from 1907 until Stein's death in 1946 (Gertrude and Alice). Stein shared her salon at 27 rue de Fleurus, Paris, first with Leo and then with Alice. <a hre

via Last.fm · Gertrude Stein

Quotes

  • A writer must always try to have a philosophy and he should also have a psychology and a philology and many other things. Without a philosophy and a psychology and all these various other things he is not really worthy of being called a writer. I agree with Kant and Schopenhauer and Plato and Spinoza and that is quite enough to be called a philosophy. But then of course a philosophy is not the same thing as a style.
  • From the very nature of progress, all ages must be transitional. If they were not, the world would be at a stand-still and death would speedily ensue. It is one of the tamest of platitudes but it is always introduced by a flourish of trumpets.
  • Argument is to me the air I breathe. Given any proposition, I cannot help believing the other side and defending it.
  • The whole duty of man consists in being reasonable and just... I am reasonable because I know the difference between understanding and not understanding and I am just because I have no opinion about things I don’t understand.
  • A beauty is not suddenly in a circle. It comes with rapture. A great deal of beauty is rapture. A circle is a necessity. Otherwise you would see no one. We each have our circle.
  • It is always a mistake to be plain-spoken.

via Wikiquote · CC BY-SA

Described at

Unlikely Collaboration: Gertrude Stein, Bernard Fay, and the Vichy Dilemma

LootedArt.com

lootedart.com

In 1941, the Jewish American writer and avant-garde icon Gertrude Stein embarked on one of the strangest intellectual projects of her life: translating for an American audience the speeches of Marshal Philippe Pétain, head of state for the collaborationist Vichy government. From 1941 to 1943, Stein translated thirty-two of Pétain's speeches, in which he outlined the Vichy policy barring Jews and other "foreign elements" from the public sphere while calling for France to reconcile with Nazi occupiers. Unlikely Collaboration pursues troubling questions: Why and under what circumstances would Stein undertake this project? The answers lie in Stein's link to the man at the core of this controversy: Bernard Faÿ, Stein's apparent Vichy protector. Faÿ was director of the Bibliothèque Nationale during the Vichy regime and overseer of the repression of French freemasons. He convinced Pétain to keep Stein undisturbed during the war and, in turn, encouraged her to translate Pétain for American audiences. Yet Faÿ's protection was not coercive. Stein described the thinker as her chief intellectual companion during her final years. Barbara Will outlines the formative powers of this relationship, noting possible affinities between Stein and Faÿ's political and aesthetic ideals, especially their reflection in Stein's writing from the late 1920s to the 1940s. Will treats their interaction as a case study of intellectual life during wartime France and an indication of America's place in the Vichy imagination. Her book forces a reconsideration of modernism and fascism, asking what led so many within the avant-garde toward fascist and collaborationist thought. Touching off a potential powder keg of critical dispute, Will replays a collaboration that proves essential to understanding fascism and the remaking of modern Europe . Barbara Will's study of Gertrude Stein's actions during World War II reveals a woman whose support for the Nazis went far beyond opportunism. Unlikely Collaboration: Gertrude Stein, Bernard Fay, and the Vichy Dilemma, by Barbara Will. Columbia University Press, 274 pages, $35 Gertrude Stein, as Barbara Will confirms for us in "Unlikely Collaboration," was a complex, experimental writer, a collector of modern art, a salon hostess to modern artists and writers, a feminist, and a lesbian. It is understandable, then, that through much of the 20th century and into the 21st, she has been seen by many as a radical progressive. But as the writer Janet Malcolm earlier demonstrated in her book "Two Lives: Gertrude and Alice" (2007 ), Stein, who was Jewish, had a very close relationship with the prominent French academic Bernard Fay, a Nazi agent imprisoned after the war as a collaborator. Gertrude, Malcolm writes, "did not behave well in World War II." This was not entirely unknown during Stein's lifetime. Pablo Picasso, for example, recognized that she "was a real fascist." She had always had "a weakness for Franco," the artist said, but he still found it hard even to imagine that Stein also translated and helped write speeches for Marshall Phillipe Petain, the chief of state of Vichy France. After all, Picasso said, she was an "American, a Jewess what's more." Yes, it was that Gertrude Stein, the same one you may have thought you knew, the iconic woman and modernist writer who was celebrated for her "genius" and her having survived the European conflagration of the 1930s and 1940s. But what you may not have known is that Stein - along with her partner, Alice B. Toklas - not only emerged unscathed, but lived willingly and comfortably in Nazi-occupied France during World War II. Barbara Will, a professor of English at Dartmouth, is entirely persuasive on this point. Stein's fascism, which apparently emerged in the early '30s, and her cooperation with the Vichy regime in the 1940s were bolstered by her intimate intellectual connection with Bernard Fay. Stein's political views, wherever they came from originally, were informed by

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Encyclopedic overview

Gertrude Stein (February 3, 1874 – July 27, 1946) was an American novelist, poet, playwright, and art collector. Born in Allegheny, Pennsylvania (now part of Pittsburgh), and raised in Oakland, California, Stein moved to Paris in 1903, and made France her home for the remainder of her life. She hosted a Paris salon, where the leading figures of modernism in literature and art, such as Pablo Picasso, Ernest Hemingway, F. Scott Fitzgerald, Sinclair Lewis, Ezra Pound, Sherwood Anderson and Henri Matisse, would meet.

In 1933, Stein published a quasi-memoir of her Paris years, The Autobiography of Alice B. Toklas, written in the voice of Alice B. Toklas, her life partner. The book became a literary bestseller and vaulted Stein from the relative obscurity of the cult-literature scene into the limelight of mainstream attention. Two quotes from her works have become widely known: "Rose is a rose is a rose is a rose", and "there is no there there", with the latter often taken to be a reference to her childhood home of Oakland.

Excerpted from Wikipedia’s “Gertrude Stein” article, available under the CC BY-SA 4.0 licence.

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