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Gamelan instruments

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rebab
alt=Rebab tiga tali|thumb|Rebab tiga tali (three-stringed rebab), Western Malaysia c. 1977. St Cecilia's Hall.
angklung
The (Sundanese: ) is a musical instrument from the Sundanese in Indonesia that is made of a varying number of bamboo tubes attached to a bamboo frame. The tubes are carved to produce a resonant pitch when struck and are tuned to octaves, similar to Western handbells. The base of the frame is held in one hand, while the other hand shakes the instrument, causing a repeating note to sound. Each performer in an ensemble is typically responsible for just one pitch, sounding their individual at the appropriate times to produce complete melodies (see Kotekan).
bedug
thumb|Model of a Sundanese people|Sundanese [[mosque with bedug hung horizontally at lower right, front part of the building. To its left a slit drum is hung vertically.]] The bedug is one of the drums used in the gamelan. It is also played in mosques in Indonesia and Malaysia to signal prayer times. The hitting of the instrument is particularly done according to a rhythm that goes in an increasingly rapid (or accelerando) pace.
kendang
thumb|right|262px|Various Kendangs (top row) depicted on the 8th-century Borobudur temple in [[Central Java, Indonesia]]
Saron
metallophone used in Javanese gamelan to play the core melody
gangsa
A gangsa is a type of metallophone which is used mainly in Balinese and Javanese Gamelan music in Indonesia. In Balinese gong kebyar styles, there are two types of gangsa typically used: the smaller, higher pitched and the larger . Each instrument consists of several tuned metal bars (either iron or bronze) each placed over an individual resonator. The bars are hit with a wooden , each producing a different pitch. Duration of sound intensity and sound quality factors are generally accomplished by damping the vibration of the bar with the fingers of the free hand. Balinese gong , as with other
pasindhèn
thumb|right|270px|Pasindhen performance A pasindhèn () (informally ) is an Indonesian female solo singer who sings with a gamelan. They may perform in dance, wayang or klenèngan (pure music or "concert") performances.
reyong
The reyong (also spelled reong) is a musical instrument used in Balinese gamelan. It consists of a long row of metal gongs suspended on a frame. In gamelan gong kebyar, it is played by four players at once, each with two mallets.
slenthem
The slenthem (also slentem or gender panembung) is an Indonesian metallophone which makes up part of a Javanese gamelan orchestra. The slenthem is part of the gendér family. It consists of a set of bronze keys comprising a single octave: there are six keys when playing the slendro scale and seven when playing the pelog. These keys are suspended by leather cords over individual bamboo tube resonators in a wooden frame, which are cut so that the placement of the bamboo's node causes the functional length of the resonator to be shorter for higher notes. The instrument is played by striking the ke
slentho
The slentho (also spelled slento) is a musical instrument of the gamelan. It is similar to the saron family of instruments, and would be its lowest member (pitched one octave below the saron demung). Like those instruments, it has (typically) seven keys in the same arrangement, over a resonator box, and is hit with a wooden mallet (tabuh). However, unlike the other sarons, the center of its keys have a boss similar to that of a bonang. The slentho usually has the same notes as the slenthem, but a brighter, louder sound.
kemanak
Kemanak () is a banana-shaped idiophone made of bronze, used in Javanese gamelan music. It is actually a metal slit drum. It is struck with a padded stick and then allowed to resonate. It has a specific pitch, which can be varied by covering the slit, but it is not matched to the other instruments of the gamelan. Kemanak are usually played in pairs, although they can be played in sets of four as well. They are used to accompany the bedhaya and serimpi, female court dances.
calung
The Calung () is a type of Indonesian bamboo xylophone originating from Baduy culture and commonly used in Baduy, Bantenese, Sundanese, Banyumasan, and Balinese performances. The calung (instrument) consists of multiple bamboo tubes which are struck at the base to produce a woody sound.