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EntityQ4260715· pop 6· linked from 100 articles

Also known as slentem, gendèr panembung

The slenthem (also slentem or gender panembung) is an Indonesian metallophone which makes up part of a Javanese gamelan orchestra. The slenthem is part of the gendér family. It consists of a set of bronze keys comprising a single octave: there are six keys when playing the slendro scale and seven when playing the pelog. These keys are suspended by leather cords over individual bamboo tube resonators in a wooden frame, which are cut so that the placement of the bamboo's node causes the functional length of the resonator to be shorter for higher notes. The instrument is played by striking the ke

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Vinony's link graph records 100 inbound references to slenthem, and connects out to gender, Indonesia and Java.

It sits within the topics Balungan instruments, Gamelan instruments and Indonesian musical instruments.

Vinony links it to 5 Wikipedia language editions.

Wikidata facts

Subclass of
idiophone
Country
Indonesia
Image
COLLECTIE TROPENMUSEUM Metallofoon bestaande uit zeven toetsen en een onderstel onderdeel van gamelan Slendro TMnr 500-1.jpg
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Hornbostel-Sachs classification
111.222
Commons category
Slenthem
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Encyclopedic overview

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The slenthem (also slentem or gender panembung) is an Indonesian metallophone which makes up part of a Javanese gamelan orchestra. The slenthem is part of the gendér family. It consists of a set of bronze keys comprising a single octave: there are six keys when playing the slendro scale and seven when playing the pelog. These keys are suspended by leather cords over individual bamboo tube resonators in a wooden frame, which are cut so that the placement of the bamboo's node causes the functional length of the resonator to be shorter for higher notes. The instrument is played by striking the keys with a mallet, called a tabuh, which has a short handle and a thin wooden disk edged in cloth or rubber. One hand is left free to dampen notes. It is a low-pitched instrument with a softer sound than the saron demung.

Like the saron barung and demung, it generally plays the most basic form of the melody (balungan) in a composition. However it also sometimes uses techniques similar to the saron to elaborate. It is especially favored in quieter gamelan ensembles (such as Gamelan Gadhon); but it is a part of standard Gamelan Gedhé as the only soft-style instrument also played in loud-style pieces.

Excerpted from Wikipedia’s “slenthem” article, available under the CC BY-SA 4.0 licence.

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