Hindustani musical instruments

thumb|A demo of tabla playing

The sarangi is a bowed, short-necked three-stringed instrument played in traditional music from South Asia. It is said to resemble the sound of the human voice through its ability to imitate vocal ornaments such as Gamaks or Gamakam (shakes) and meends (sliding movements). The Nepali sarangi is similar, but is a four-stringed, simpler folk instrument.

The shehnai (also spelled shenai) is a musical instrument from South Asia. It is made of wood, with a double reed at one end and a metal or wooden flared bell at the other end. It was one of the nine instruments found in the royal court. The shehnai is similar to South India's nadaswaram.

thumb|Krishna with a bansuri is sometimes referred to as Venugopal.

thumb|A 19th century sarod, at the Metropolitan Museum of Art. The sarod is a stringed instrument, used in Hindustani music on the Indian subcontinent. Along with the sitar, it is among the most popular and prominent instruments. It is known for a deep, weighty, introspective sound, in contrast with the sweet, overtone-rich timbre of the sitar, with sympathetic strings that give it a resonant, reverberant quality. A fretless instrument, it can produce the continuous slides between notes known as meend (glissandi), which are important in Indian music.

The tanpura (; also referred to as tambura, tanpuri, tamboura, or tanpoura) is a long-necked, plucked, four-stringed instrument originating in the Indian subcontinent, found in various forms in Indian music. Visually, the tanpura resembles a simplified sitar or similar lute-like instrument, and is likewise crafted out of a gourd or pumpkin.

The ' or esraaj (from the Shahmukhi: اسراج Bengali: এস্রাজ) is a stringed instrument found in two forms throughout South Asia. It is a relatively recent instrument, being only about 300 years old. It is found in Pakistan and North India, primarily Punjab, where it is used in Sikh music, Bangladesh and West Bengal, India where it is used in Rabindra Sangeet and Classical Music. The is a modern variant of the ', differing slightly in structure.

Surbahar (; ) sometimes known as bass sitar, is a plucked string instrument used in the Hindustani classical music of the Indian subcontinent. It is closely related to the sitar, but has a lower pitch. Depending on the instrument's size, it is usually pitched two to five whole steps below the standard sitar.

North Indian zither, type of veena

The swarmandal ( ), surmandal, or Indian harp is a plucked box zither, originating from India, similar to the qanun that is today most commonly used as an accompanying instrument for vocal Indian classical music. It is part of the culture of Northern India and is used in concerts to accompany vocal music. The name combines Sanskrit words svara (notes) and maṇḍala (circle), representing its ability to produce many notes. The instrument was seen as equivalent by the Ā'īn-i-akbarī to the qanun.

The pakhavaj is a barrel-shaped, two-headed drum, originating from the Indian subcontinent, kendang of Maritime Southeast Asia and other South Asian double-headed drums. Its older forms were made with clay.

The Indian santoor instrument is a trapezoid-shaped hammered dulcimer, and a variation of the Iranian santur. The instrument is generally made of walnut wood and has 25 bridges. Each bridge has 4 strings, making for a total of 100 strings. It is a traditional instrument in Jammu and Kashmir, and dates back to ancient times. It was called Shatha Tantri Veena in ancient Sanskrit texts.

plucked string instrument used in Hindustani music

Indian musical instrument

plucked string instrument used in Indian classical music