The swarmandal ( ), surmandal, or Indian harp is a plucked box zither, originating from India, similar to the qanun that is today most commonly used as an accompanying instrument for vocal Indian classical music. It is part of the culture of Northern India and is used in concerts to accompany vocal music. The name combines Sanskrit words svara (notes) and maṇḍala (circle), representing its ability to produce many notes. The instrument was seen as equivalent by the Ā'īn-i-akbarī to the qanun.
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The swarmandal ( ), surmandal, or Indian harp is a plucked box zither, originating from India, similar to the qanun that is today most commonly used as an accompanying instrument for vocal Indian classical music. It is part of the culture of Northern India and is used in concerts to accompany vocal music. The name combines Sanskrit words svara (notes) and maṇḍala (circle), representing its ability to produce many notes. The instrument was seen as equivalent by the Ā'īn-i-akbarī to the qanun.
== Construction == Modern swarmandals are similar to European psaltries. Autoharps are used as an equivalent instrument in India today, especially with the chord-button mechanism taken out. Modern swarmandals are trapezoidal and measure in length and width. Instruments may have as many as 40 strings, while older instruments from the 19th century were recorded as having 21 strings. The strings are hooked in a nail lodged in the right edge of the swarmandal and on the left are wound around tuning pegs which can be tightened with a special key. Wooden pegs were used instead of metal ones in the medieval period. A sharp ridge on both sides of the swarmandal stands a little apart from the nails on which the strings are tightened. This ridge functions as a bridge on both sides. The swarmandal is similar to the autoharp or zither in many respects.
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