Indie music

music aesthetic

collective term for music scene that acts independently of corporate music industry

Synthwave (also called retrowave, or futuresynth) is an electronic music microgenre that is based predominantly on the music associated with the soundtracks of action, science fiction, and horror films of the 1970s and 1980s. Other influences are drawn from the decade's art and video games. Synthwave musicians often espouse nostalgia for 1980s culture and attempt to capture the era's atmosphere and celebrate it.

Chillwave is a music microgenre that emerged in the late 2000s. It is characterized by evoking the popular music of the late 1970s and early 1980s while engaging with notions of memory and nostalgia. Common features include a faded or dreamy retro pop sound, escapist lyrics (frequent topics include the beach or summer), psychedelic or lo-fi aesthetics, mellow vocals, slow-to-moderate tempos, effects processing (especially reverb), and vintage synthesizers.

occult-themed dark electronic music genre; emerged in the late 2000s and early 2010s; uses synthesizers, drum machines, obscure samples, droning repetition and heavily altered, ethereal, indiscernible vocals

self-published fan music

music created by self-taught or naïve musicians

music genre, derivation of neo-psychedelia and pop music

2026 single by Look Mum No Computer

Mallsoft (also known as mallwave) is a vaporwave subgenre centered around shopping malls.

Hardvapour is an Internet-based microgenre of music that emerged in late 2015 as a tongue-in-cheek response to vaporwave, departing from the calm, muzak-sampling capitalist utopia concept of the latter in favor of a gabber- and punk-influenced sound. Canadian music producer Wolfenstein OS X album End of World Rave (2015) and the Antifur record label are credited with having first defined the hardvapour sound.