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Italian art movements

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Futurism
thumb|300px|Gino Severini, 1912, Dynamic Hieroglyphic of the Bal Tabarin, oil on canvas with sequins, 161.6 × 156.2 cm (63.6 × 61.5 in.), [[Museum of Modern Art, New York]] thumb|300px|Italian futurists Luigi Russolo, [[Carlo Carrà, Filippo Tommaso Marinetti, Umberto Boccioni and Gino Severini in front of Le Figaro, Paris, February 9, 1912]]
Arte Povera
Italian art movement
metaphysical painting
painting movement
High Renaissance
short period of the most exceptional artistic production during the Italian Renaissance
Macchiaioli
thumb|right|Hay Stacks by Giovanni Fattori, a leading artist in the Macchiaioli movement The Macchiaioli () were a group of Italian painters active in Tuscany in the second half of the nineteenth century. They strayed from antiquated conventions taught by the Italian art academies, and did much of their painting outdoors in order to capture natural light, shade, and colour. This practice relates the Macchiaioli to the French Impressionists who came to prominence a few years later, although the Macchiaioli pursued somewhat different purposes. The most notable artists of this movement were Giuse
Scapigliatura
Scapigliatura () is the name of an artistic movement that developed in Italy after the Risorgimento period (1815–71). The movement included poets, writers, musicians, painters and sculptors. The term Scapigliatura is the Italian equivalent of the French (bohemian), and literally means "unkempt" or "dishevelled". Most of these authors have never been translated into English, hence in most cases this entry cannot have and has no detailed references to specific sources from English books and publications. However, a list of sources from Italian academic studies of the subject is included, as is a
Movimento Spaziale
thumb|, Spiralis. Photo by Paolo Monti, 1953 (Fondo Paolo Monti, BEIC).
Novecento Italiano
Italian artistic movement
aeropittura
right|thumb|Aeroritratto di Mussolini aviatore, Alfredo Ambrosi, 1930
School of Posillipo
group of landscape painters
Italian Baroque
movement in art and architecture
Purismo
Purismo was an Italian cultural movement which began in the 1820s. The group intended to restore and preserve language through the study of medieval authors, and such study extended to the visual arts.
return to order
European art movement
Scuola Romana
20th-century Italian art movement
Fronte Nuovo delle Arti
artistic movement
Forma 1
Italian artistic group active 1947–1961
School of Resina
group of Italian artists
Romanticism in Italy
Cultural movement developed in Italy between the 18th and 19th centuries in accordance with the new romantic ideals
Italo-Byzantine
thumb|right|Madonna and Child, Berlinghiero, c. 1230, tempera on wood, with [[gold ground, Metropolitan Museum of Art.]] Italo-Byzantine is a style term in art history, mostly used for medieval paintings produced in Italy under heavy influence from Byzantine art. It initially covers religious paintings copying or imitating the standard Byzantine icon types, but painted by artists without a training in Byzantine techniques. These are versions of Byzantine icons, most of the Madonna and Child, but also of other subjects; essentially they introduced the relatively small portable painting with a f