Medieval art

style of Medieval art developed in Northern France

art of the Byzantine (Eastern Roman) Empire

artistic motif on the universality of death

art produced by Christians before Byzantine times

Epoch of European art

art associated with Celtic peoples

parable taught by Jesus of Nazareth according to the Christian Gospel of Matthew

church in Pisa, Italy

work of artists active in the Low Countries during the 15th- and 16th-century Northern Renaissance

art of the Frankish empire, ca. 780–900

art style of Europe between the fall of Rome and the 11th century

art style in Germany under the Ottonian emperors

painting made on a flat panel made of wood

thumb|Aquamanile in the Form of a Lion

artistic theme, depiction of the ancestors of Christ

museum in New York City part of the Metropolitan Museum of Art

type of horn instrument made from ivory

style of art produced in the post-Roman history of the British Isles

art of the Anglo-Saxon period

decorative element of bands or portions of other motifs looped, braided, and knotted in complex geometric patterns

archeological find composed of twenty-six votive crowns and gold crosses from a site in Guadamur, prov. of Toledo, Castilla-La Mancha, Spain

art movement

medieval architectural drawing of a monastic compound

enclosed garden; attribute of the Virgin Mary

form of cross typical of Early Christian and Early Medieval art

Iron Age art movement characterized by the use of animal motifs

thumb|300px|High-quality Mosan art|Mosan 12th century armlet, somewhat damaged, so showing the cast recesses for the enamel Champlevé is an enamelling technique in the decorative arts, or an object made by that process, in which troughs or cells are carved, etched, die struck, or cast into the surface of a metal object, and filled with vitreous enamel. The piece is then fired until the enamel fuses, and when cooled, the surface of the object is polished. The uncarved portions of the original surface remain visible as a frame for the enamel designs; typically, they are gilded in medieval work.

jewelry for fastening clothing consisting of a whole or open ring and pin

thumb|upright=1.2|Cumdach for the Stowe Missal, 11th century thumb|upright=1.0|The Soiscél Molaisse, 11th century A ' (, in Irish "cover") or book shrine' is an elaborate ornamented metal reliquary box or case used to hold Early Medieval Irish manuscripts or relics. They are typically later than the book they contain, often by several centuries. In most surviving examples, the book comes from the peak age of Irish monasticism before 800, and the extant cumdachs date from after 1000, although it is clear the form dates from considerably earlier. The majority are of Irish origin, with most survi

illustrative device denoting speech in art, used in pre-Columbian Mesoamerica and Medieval Europe

French princess

European legend of the inevitability of death

French treasure

art museum in Korçë, Albania

Pseudo-Kufic, or Kufesque, also sometimes pseudo-Arabic, is a style of decoration used during the Middle Ages and the Renaissance, consisting of imitations of the Arabic script, especially Kufic, made in a non-Arabic context: "Imitations of Arabic in European art are often described as pseudo-Kufic, borrowing the term for an Arabic script that emphasizes straight and angular strokes, and is most commonly used in Islamic architectural decoration". Pseudo-Kufic appears especially often in Renaissance art in depictions of people from the Holy Land, particularly the Virgin Mary. It is an example o

art museum in Glasgow, Scotland, United Kingdom

type of statue

luxurious book cover using metalwork in gold or silver, jewels, or ivory, perhaps in addition to more usual bookbinding material for book covers such as leather, velvet, or other cloth

period of the imperial Cholas (c. 850 CE - 1250 CE) in South India

artistic theme representing the twelve months by iconographic scenes showing human activities, usually in a landscape

remains of a medieval treasure split in 1929, 40 pieces of which are displayed in Berlin

set of subjects in art

effects worn by Christian pilgrims

theme in Christian art

book with an extra covering of leather allowing the book to be hung from the girdle

museum of medieval Christian religious art in Cologne, Germany

jewel owned by famous medieval figures, later part of the Crown Jewels of England, now lost

Light in painting

decoration of manuscripts in the Carolingian period

Image in manuscript illumination showing the author handing over the writing

paintings and sculptures by the Master Francke

thumb|120px|The Holy Crown of Hungary having pendilia. thumb|120px|Votive crown of the Visigoth King [[Recceswinth († 672), part of the Treasure of Guarrazar.]] Pendilia (singular pendilium; from Latin pendulus, hanging) or pendoulia (the Greek equivalent), are pendants or dangling ornaments hanging from a piece of metalwork such as a crown, votive crown, crux gemmata, or kamelaukion, and are a feature of Early Medieval goldsmith work. On crosses the pendilia may include the letters alpha and omega, and on votive offerings, which were often designed to be hung over altars and where pendilia ar

decorated comb used ceremonially in medieval European Christianity

Gothic illumination of books and manuscripts

Image depiction of Jesus Christ

thumb|right|Madonna and Child, Berlinghiero, c. 1230, tempera on wood, with [[gold ground, Metropolitan Museum of Art.]] Italo-Byzantine is a style term in art history, mostly used for medieval paintings produced in Italy under heavy influence from Byzantine art. It initially covers religious paintings copying or imitating the standard Byzantine icon types, but painted by artists without a training in Byzantine techniques. These are versions of Byzantine icons, most of the Madonna and Child, but also of other subjects; essentially they introduced the relatively small portable painting with a f

mosaics at Monreale Cathedral in Sicily

medieval compilation of recipes for metal, glass, mosaic and stain work

type of seal