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Plays set in Athens

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A Midsummer Night's Dream
play by William Shakespeare
Timon of Athens
play by Shakespeare
Lysistrata
Lysistrata ( or ; Attic Greek: , Lysistrátē, ) is an ancient Greek comedy by Aristophanes, first staged in early 411 BCE at Lenaea festival in classical Athens. The play is a comic account of a woman's – Lysistrata's – mission to end the Peloponnesian War between Greek city states by denying sex from all the men of warring parties and occupying the Acropolis of Athens. Lysistrata persuades the women of the warring cities to engage in a sex strike as a means of forcing the men to negotiate peace – a strategy that inflames the battle between the sexes.
Oresteia
The Oresteia () is a trilogy of Greek tragedies written by Aeschylus in the 5th century BC, concerning the murder of Agamemnon by Clytemnestra, the murder of Clytemnestra by Orestes, the trial of Orestes, the end of the curse on the House of Atreus, and the pacification of the Furies (also called Erinyes or Eumenides).
Assemblywomen
Assemblywomen (Ancient Greek: Ἐκκλησιάζουσαι Ekklesiazousai; also translated as, Congresswomen, Women in Parliament, Women in Power, A Parliament of Women, Assembly-Women, and Women in the Assembly) is a comedy written by the Greek playwright Aristophanes in 391 BCE. The play portrays a scenario where the women of Athens assume control of the government and institute reforms that ban private wealth and enforce sexual equity for the old and unattractive. In addition to Aristophanes' political and social satire, Assemblywomen derives its comedy through sexual and scatological humor. The play aim
The Clouds
comedy by Aristophanes
The Two Noble Kinsmen
play partly written by William Shakespeare
The Knights
comedy by Aristophanes
The Acharnians
comedy by Aristophanes
The Wasps
comedy by Aristophanes
Thesmophoriazusae
Thesmophoriazusae (; Thesmophoriazousai, ), or Women at the Thesmophoria (sometimes also called The Poet and the Women), is one of eleven surviving comedy plays by Aristophanes. It was first produced in 411 BC, probably at the City Dionysia. The play's focuses include the subversive role of women in a male-dominated society; the vanity of contemporary poets, such as the tragic playwrights Euripides and Agathon; and the shameless, enterprising vulgarity of an ordinary Athenian, as represented in this play by the protagonist, Mnesilochus. The work is also notable for Aristophanes' free adaptatio
Plutus
comedy by Aristophanes
Peace
comedy by Aristophanes
Erotokritos
Erotokritos () is a romance composed by Vikentios Kornaros in early 17th century Crete. It consists of 10,012 fifteen-syllable rhymed verses, the last twelve of which refer to the poet himself. It is written in the Cretan dialect of the Greek language. Its central theme is love between Erotokritos (only referred to in the work as Rotokritos or Rokritos) and Aretousa. Around this theme, revolve other themes such as honour, friendship, bravery and courage. Erotokritos and Erophile by Georgios Hortatzis constitute classic examples of Greek Renaissance literature and are considered to be the most
The Tragedy of Man
play written by Imre Madách
Aulularia
Mostellaria
Mostellaria is a play by the Roman author Plautus. Its name translates from Latin as "The Ghost (play)" (with the word understood in the title). The play is believed to be an adaptation of a lost comedy of the Athenian poet Philemon called Phasma (the Ghost). It is set in a street in the city of Athens.
Phormio
Latin comic play by Terence
Pseudolus
Pseudolus is a play by the ancient Roman playwright Titus Maccius Plautus. It is one of the earliest examples of Roman literature and is a key example of the Fabulae Palliatae which are early Roman Comedies set in a Classical Greek setting. Pseudolus was first shown in 191 BC during the Megalesian Festival, which was a celebration for the Phrygian Goddess Cybele. The temple for worship of Cybele in Rome was completed during the same year in time for the festival.
Samia
ancient Greek comedy by Menander
Casina
Ancient Roman play by Plautus
Bacchides
ancient Roman play by Plautus
Stichus
Stichus is a comedic Latin play by the early Roman playwright Titus Maccius Plautus. According to a notice transmitted with the play, Stichus was first performed in 200 BC, and was adapted from the play Adelphoe by Menander.
Asinaria
Asinaria ("The Comedy of Asses") is a comic play written in Latin by the Roman playwright Titus Maccius Plautus. In the play an Athenian gentleman, Demaenetus, tells his slave Libanus that he knows his son Argyrippus is having an affair with the prostitute Philaenium next door, and he asks him to try to find some money to pay for the affair. When by chance a stranger comes bringing money owed for some donkeys sold by Saurea, the steward of Demaenetus's wife, Libanus's fellow-slave Leonida pretends to be Saurea, and the two slaves trick the stranger into giving them the money. Argyrippus is giv
Mercator
Ancient Roman play by Plautus
Trinummus
Trinummus is a comedic Latin play by the early Roman playwright Titus Maccius Plautus. It is called ("The Three Coins") because in the play an imposter () is paid three coins to dress up as a messenger from Syria. According to the prologue, the play is adapted from one called Thesaurus ("The Treasure") by the Greek playwright Philemon.
Epidicus
Epidicus is an ancient Roman comedy written by Plautus in the 3rd or 2nd century BC. It is said to have been one of Plautus's favorite works. Epidicus is the name of the main character, who is a slave. The plot takes many turns as Epidicus tries to please his master's son, Stratippocles.
Truculentus
Truculentus is a comedic Latin play by the early Roman playwright Titus Maccius Plautus. Following the relationships between prostitutes and their customers, it contains perhaps Plautus's most cynical depiction of human nature in comparison with his other surviving plays.
Aspis
ancient Greek comedy by Menander
Persa
Ancient Roman play by Plautus
Gismonda
Gismonda is a Greek-set melodrama in four acts by Victorien Sardou that premiered on October 31, 1894 at the Théâtre de la Renaissance. In 1918, the play was adapted for the now lost film ''Love's Conquest. In 1918/1919, it was adapted into the opera Gismonda'' by Henry Février.