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Sampling (music)

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sampler
musical instrument
musique concrète
form of electroacoustic music
sampling
reproduction of short extracts from a musical work
Amen break
drum break
WhoSampled
WhoSampled is a website and app database of information about sampled music or sample-based music, interpolations, cover songs, and remixes. As of February 2026, the website contains 1,294,557 songs and 402,043 artists in its catalog.
interpolation
music term; using a melody, or portions of a melody, from a previously recorded song but re-recording the melody instead of sampling it
plunderphonics
Plunderphonics is a music genre in which tracks are constructed by sampling recognizable musical works. The term was coined by composer John Oswald in 1985 in his essay "Plunderphonics, or Audio Piracy as a Compositional Prerogative", and eventually explicitly defined in the liner notes of his Grayfolded album. Plunderphonics is a form of sound collage. Oswald has described it as a referential and self-conscious practice which interrogates notions of originality and identity.
Funky Drummer
1970 song performed by James Brown of which samples of its drumming have been used in over two-thousand records
sound collage
music term and genre; technique where newly branded sound objects or compositions, including songs, are created from collage
Orchestra hit
Sound effect
Jesus' Blood Never Failed Me Yet
composition by Gavin Bryars
sampledelia
Sampledelia (also called sampledelica) is sample-based music that uses samplers or similar technology to expand upon the recording methods of 1960s psychedelia. Sampledelia features "disorienting, perception-warping" manipulations of audio samples or found sounds via techniques such as chopping, looping or stretching. Sampledelic techniques have been applied prominently in styles of electronic music and hip-hop, such as trip hop, jungle, post-rock, and plunderphonics.
Woo! Yeah!
frequently sampled phrase by James Brown
rare groove
soul or jazz music that is very hard to source or relatively obscure