Voice types

A soprano () is a type of classical singing voice and has the highest vocal range of all voice types. The soprano's vocal range (using scientific pitch notation) is from approximately middle C (C4) = 261 Hz to A5 in choral music, or to soprano C (C6) or higher in operatic music. In four-part chorale style harmony, the soprano takes the highest part, which often encompasses the melody. The soprano voice type is generally divided into the coloratura, soubrette, lyric, spinto, and dramatic soprano.

The tenor is a type of male singing voice whose vocal range lies between the countertenor and baritone voice types. It is the highest male chest-voice type. Composers typically write music for the tenor in the range from the second B below middle C, to the G above middle C (i.e. B2 to G4) in choral music – and from the second B-flat below middle C, to the C above middle C (B2 to C5) in operatic music – but the range can extend at either end. Subtypes of the tenor include the leggero tenor, lyric tenor, spinto tenor, dramatic tenor, heldentenor and tenor buffo (also known as the ).

type of classical male singing voice

A baritone is a type of classical male singing voice whose vocal range lies between the bass and the tenor voice-types. It is the most common male voice. The term originates from the Greek (), meaning "low sounding". Composers typically write music for this voice in the range from the second F below middle C to the F above middle C (i.e. F2–F4) in choral music, and from the second G below middle C to the G above middle C (G2 to G4) in operatic music, but the range can extend at either end. Subtypes of baritone include the baryton-Martin baritone (light baritone), lyric baritone, Kavalierbarito

A contralto () is a classical female singing voice whose vocal range is the lowest of their voice types.

A mezzo-soprano (, ), or mezzo ( ), is a type of classical female singing voice whose vocal range lies between the soprano and the contralto voice types. The mezzo-soprano's vocal range usually extends from the A below middle C to the A two octaves above (i.e. A3–A5 in scientific pitch notation, where middle C = C4; 220–880 Hz). In the lower and upper extremes, some mezzo-sopranos may extend down to the F below middle C (F3, 175 Hz) and as high as "high C" (C6, 1047 Hz). The mezzo-soprano voice type is generally divided into coloratura, lyric, and dramatic.

thumb|The 18th-century castrato Farinelli, painted by [[Bartolomeo Nazari]]

A countertenor (also contra tenor) is a type of classical male singing voice whose vocal range is equivalent to that of the female contralto or mezzo-soprano voice types, generally extending from around E3 to D5 or E5, although a sopranist (a specific kind of countertenor) may match the soprano's range of around C4 to C6. Countertenors often have tenor or baritone chest voices, but sing in falsetto or head voice much more often than they do in their chest voice.

thumb|Soubrette by Alexander Mann A soubrette is a female minor stock character in opera and theatre, often a pert lady's maid. By extension, the term can refer generally to any saucy or flirtatious young woman. The term arrived in English from Provençal via French, and means "conceited" or "coy".

The musical term alto, meaning "high" in Italian (from Latin: altus), historically refers to the contrapuntal part higher than the tenor and its associated vocal range. In four-part voice leading alto is the second-highest part, sung in choruses by either low women's or high men's voices. In vocal classification these are usually called contralto and male alto or countertenor.

A bass-baritone is a high-lying bass or low-lying "classical" baritone voice type which shares certain qualities with the true baritone voice. The term arose in the late 19th century to describe the particular type of voice required to sing three Wagnerian roles: the title role in Der fliegende Holländer, Wotan/Der Wanderer in the Ring Cycle and Hans Sachs in Die Meistersinger von Nürnberg. Wagner labelled these roles as Hoher Bass ("high bass")—see fach for more details.

group of voices with similar vocal ranges

soprano voice with high range and the ability to execute with elaborate ornamentation and embellishment

A sopranist (also known as male soprano) is a male singer who is able to sing in vocal tessitura of a soprano, usually through falsetto or head voice technique. This voice type is a specific kind of countertenor. In rare cases an adult man may be able to sing in the soprano range using his normal or modal voice (high chest voice) and not falsetto due to endocrinological reasons, like Radu Marian, or as a result of a larynx that has not completely developed, as is allegedly the case with Michael Maniaci.

type of operatic soprano

voice type

The haute-contre (plural hautes-contre) was the primary French operatic tenor voice, predominant in French Baroque and Classical opera, from the middle of the seventeenth century until the latter part of the eighteenth century.

young male singer with an unchanged voice in the soprano range

vocal range

Baritenor (also rendered in English-language sources as bari-tenor or baritenore) is a portmanteau (blend) of the words "baritone" and "tenor". It is used to describe both baritone and tenor voices. In ''Webster's Third New International Dictionary it is defined as "a baritone singing voice with virtually a tenor range". However, the term was defined in several late 19th century and early 20th century music dictionaries, such as The American History and Encyclopedia of Music, as "a low tenor voice, almost baritone [sic'']."

Spinto (Italian for "pushed") is a vocal term used to characterize a soprano or tenor voice of a weight between lyric and dramatic that is capable of handling large musical climaxes in opera at moderate intervals. (Sometimes the terms ' or ' are used to denote this category of voice.)

The German system (; literally "compartment" or "subject of study", here in the sense of "vocal specialization") is a method of classifying singers, primarily opera singers, according to the range, weight, and color of their voices. It is used worldwide, but primarily in Europe, especially in German-speaking countries and by repertory opera houses.

thumb|Heldentenor Ludwig Schnorr von Carolsfeld and his wife, Malvina, in the title roles of [[Tristan und Isolde, 1865.]]

type of singing voice

type of operatic soprano

specialized form of the tenor voice found in Italian opera