haute-contre
Sign in to saveThe haute-contre (plural hautes-contre) was the primary French operatic tenor voice, predominant in French Baroque and Classical opera, from the middle of the seventeenth century until the latter part of the eighteenth century.
Wikidata facts
- Instance of
- Fach
- Subclass of
- countertenor
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- described by source
- Armenian Soviet Encyclopedia
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Encyclopedic overview
5 sectionsContents
- History
- Vocal features
- Modern performances
- Repertoire
- References
The haute-contre (plural hautes-contre) was the primary French operatic tenor voice, predominant in French Baroque and Classical opera, from the middle of the seventeenth century until the latter part of the eighteenth century.
==History== This voice was predominantly used in male solo roles, typically heroic and amatory ones, but also in comic parts, even en travesti (see apropos the portrait reproduced below and representing Pierre Jélyotte made up for the female title role of Rameau's Platée). Lully wrote 8 out of 14 leading male roles for the voice; Charpentier, who was an haute-contre himself, composed extensively for the voice-part, as did Rameau and, later, Gluck.
Excerpted from Wikipedia’s “haute-contre” article, available under the CC BY-SA 4.0 licence.