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Person · Open Library
- Born
- 1936
- Died
- 1972
- Works
- 59
Top works
- The Oxford Book of Gothic Tales
- Poemas
- La pájara en el ojo ajeno
- Los trabajos y las noches
- Alejandra Pizarnik, Journaux, 1959-1971.
via Open Library + Wikidata
Key facts
- Born
- Flora Pizarnik , ( 1936-04-29 ) 29 April 1936, Avellaneda , Argentina
- Died
- 25 September 1972 (1972-09-25) (aged 36), Buenos Aires , Argentina
- Resting place
- La Tablada Israelite Cemetery
- Occupation
- Poet
via Wikipedia infobox
Wikidata facts
- Instance of
- human
- Given name
- Flora
- Gender
- female
- Citizenship
- Argentina
- Place of birth
- Avellaneda
- Place of death
- Buenos Aires
- Occupation
- writer
- Languages spoken
- French
- Genre
- poetry
- Image
- Alejandra Pizarnik-C123.jpg
Show 11 more facts
- Commons category
- Alejandra Pizarnik
- date of birth
- 1936-04-29
- date of death
- 1972-09-25
- manner of death
- Suicide
- cause of death
- drug overdose
- name in native language
- Flora Alejandra Pizarnik
- start of work period
- 1955-00-00
- writing language
- Spanish
- place of burial
- La Tablada Cemetery
- sexual orientation
- bisexuality
- archives at
- Princeton University Library
Sources (8)
via Wikidata · CC0
~8 min read
Encyclopedic overview
Flora Alejandra Pizarnik (29 April 1936 – 25 September 1972) was an Argentine poet. Her idiosyncratic and thematically introspective poetry has been considered "one of the most unusual bodies of work in Latin American literature", and has been recognized and celebrated for its fixation on "the limitation of language, silence, the body, night, the nature of intimacy, madness, [and] death".
Pizarnik studied philosophy at the University of Buenos Aires and worked as a writer and a literary critic for several publishers and magazines. She lived in Paris between 1960 and 1964, where she translated authors such as Antonin Artaud, Henri Michaux, Aimé Césaire and Yves Bonnefoy. She also studied history of religion and French literature at the Sorbonne. Back in Buenos Aires, Pizarnik published three of her major works: Works and Nights, Extracting the Stone of Madness, and The Musical Hell as well as a prose work titled The Bloody Countess. In 1969 she received a Guggenheim Fellowship and later, in 1971, a Fulbright Fellowship.
Excerpted from Wikipedia’s “Alejandra Pizarnik” article, available under the CC BY-SA 4.0 licence.