Bibi Bakare-Yusuf

Recent publications · Crossref

5 total works indexed

1. Global burden of 369 diseases and injuries in 204 countries and territories, 1990–2019: a systematic analysis for the Global Burden of Disease Study 2019

   · 2020 · cited 15,393x

2. Dabigatran versus Warfarin in Patients with Atrial Fibrillation

   · 2009 · cited 9,156x

3. Effect of potentially modifiable risk factors associated with myocardial infarction in 52 countries (the INTERHEART study): case-control study

   · 2004 · cited 9,030x

4. Biodiesel from microalgae

   · 2007 · cited 7,859x

5. Safety and efficacy of the ChAdOx1 nCoV-19 vaccine (AZD1222) against SARS-CoV-2: an interim analysis of four randomised controlled trials in Brazil, South Africa, and the UK

   · 2021 · cited 4,135x

via Crossref · CC0

Quotes

• “I am so happy to be here today. To be on this stage and to share the Abantu vision. Before I begin, I want to say thank you, thank you for inviting me. I always feel I am home when I am here. Joburg is my second home. London is my first and Nigeria, my third home.”
• “Let me begin, in 2003, I moved back to Nigeria to take up a position as a senior research fellow at Obafemi Awolowo university. The plan was to embark on a research project exploring how Yoruba women experience and conceptualise erotic love (This was before Lola Shoneyin gave us an incline into the erotic universe of Yoruba women in her brilliant, tragic-comic debut novel The Secret Lives of Baba Segi’s Wives).”
• “We have to talk about and acknowledge the unseen infrastructure that ensures that books are in circulation, because books, unlike print media or blogs, offer us some of the densest, extended and interpretive conversations we can have about the world around us. It is also through books that some of the most enduring and pernicious images about Africa and black people persists. Yet, books also have a redemptive potential and plenitude.”
• “The archive as a reservoir of and for memory is the place where ideas and material culture of historic interest or social relevance are stored and ordered. It is where society warehouses what it wants to remember and what it sees as worthy of remembrance, especially for the future. Whether that archive is of literature, music, visual art, film, plastic art, buildings, I am interested in what future people will find that gives them a record, a sense of this present moment.”
• “The African literary space is most likely the only artefact of culture in this neo-colonial moment that has yet to cut loose from its colonial mooring. And the reason is simply, it still relies on the colonial centres for its aesthetics, market, economics, relevance, affirmation and symbolic legitimacy.”
• “The framing of African literature only in terms of the English metaphysical empire was not only a tragedy and an act of symbolic violence (perpetuated and sedimented by Africans themselves), it created a rupture in how we periodise our literary tradition(s).”

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Wikidata facts

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