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Clemens Schmalstich

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Clemens Schmalstich

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Also known as Clemens Carl Otto Schmalstich

German composer and conductor (1880–1960)

Music · MusicBrainz

Type
Person
Gender
Male
Origin
Germany
Active from
1880-10-08
Active to
1960-07-15

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Listeners · Last.fm

Listeners
170
Total plays
375

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Clemens Carl Otto Schmalstich (8 October 1880, Posen – 15 July 1960, Berlin) was a German composer and conductor. Born on 8 October 1880 in Posen, Clemens Carl-Otto Schmalstich was originally a student attending the Posen Friedrich-Wilhelm Gymnasium on the wishes of his father (who would not hear of his having a serious course of musical education), and then had four semesters in Philosophy at Bonn. In 1902 the young student was able to attend the Königliche Hochschule (Royal High school) for M

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Wikidata facts

Instance of
human
Gender
male
Citizenship
Germany
Place of birth
Poznań
Place of death
Berlin
Occupation
politician
Political party
Nazi Party
Languages spoken
German
Field of work
Nazism
Image
Clemens Schmalstich (1880-1960).jpg
Show 5 more facts
date of birth
1880-10-08
date of death
1960-07-15
Commons category
Clemens Schmalstich
Sources (4)

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Works in European collections

36 objects attributed to Clemens Schmalstich, held across European museums, libraries & archives · via Europeana

On into the fight, Torero: from the opera “Carmen”/by Bizet

On into the fight, Torero: from the opera “Carmen”/by Bizet

Address by Hans Sachs: “Die Mastersingers von Nürnberg”/(Richard Wagner)

Address by Hans Sachs: “Die Mastersingers von Nürnberg”/(Richard Wagner)

Bell choir: (“Der Bajazzo”)/(Leoncavallo)

Bell choir: (“Der Bajazzo”)/(Leoncavallo)

Die Welt ist nur ein Traum der Hölle : ("Die Macht des Schicksals") / (Verdi)

Die Welt ist nur ein Traum der Hölle : ("Die Macht des Schicksals") / (Verdi)

Lohengrin’s arrival: “Lohengrin”; I. Teil/(Richard Wagner)

Lohengrin’s arrival: “Lohengrin”; I. Teil/(Richard Wagner)

Overture to the opera “Don Juan”: Part II/(Wolfgang Amadeus Mozart)

Overture to the opera “Don Juan”: Part II/(Wolfgang Amadeus Mozart)

Lohengrin’s arrival: “Lohengrin”; II part/(Richard Wagner)

Lohengrin’s arrival: “Lohengrin”; II part/(Richard Wagner)

Land, so wonderful: (“Die Afrikanerin”)/(G. Meyerbeer)

Land, so wonderful: (“Die Afrikanerin”)/(G. Meyerbeer)

Schmuck-Arie (only big men): 3rd act (“Margaret”)/(Gounod)

Schmuck-Arie (only big men): 3rd act (“Margaret”)/(Gounod)

Dies Bildnis ist bezaubernd schön : "Die Zauberflöte"; I. Akt / (Mozart)

Dies Bildnis ist bezaubernd schön : "Die Zauberflöte"; I. Akt / (Mozart)

One day we see (Un bel di vedremo): “Madame Butterfly”; 2nd Nude/Puccini

One day we see (Un bel di vedremo): “Madame Butterfly”; 2nd Nude/Puccini

Flutenary: “Die Flflöte”/(Mozart)

Flutenary: “Die Flflöte”/(Mozart)

Desdemona’s song of the willow tree: “Othello”/(G. Verdi). Text: A. Boito

Desdemona’s song of the willow tree: “Othello”/(G. Verdi). Text: A. Boito

Fanget an! : ("Die Meistersinger von Nürnberg") / (Richard Wagner)

Fanget an! : ("Die Meistersinger von Nürnberg") / (Richard Wagner)

Don’t you breathe the sweet scents with me: (“Lohengrin”)/(Richard Wagner)

Don’t you breathe the sweet scents with me: (“Lohengrin”)/(Richard Wagner)

Wotan’s farewell and fire spell: 1st part; “Die WalWoe”/(Rich. Wagner)

Wotan’s farewell and fire spell: 1st part; “Die WalWoe”/(Rich. Wagner)

Ach, in den kalten Spitzen herrscht trotz der Pracht nur ödes Schweigen (In quelle trine morbide) : "Manon Lescaut"; 2. Akt / Puccini

Ach, in den kalten Spitzen herrscht trotz der Pracht nur ödes Schweigen (In quelle trine morbide) : "Manon Lescaut"; 2. Akt / Puccini

Foreplay and prologue of the opera “Der Bajazzo”: II. Teil/(R. Leoncavallo)

Foreplay and prologue of the opera “Der Bajazzo”: II. Teil/(R. Leoncavallo)

Overture to the opera “Don Juan”: I. Teil/(Wolfgang Amadeus Mozart)

Overture to the opera “Don Juan”: I. Teil/(Wolfgang Amadeus Mozart)

WolfserWolf( Mein Leben wagt “ich drum): ‘Tieland’/(d” Albert)

WolfserWolf( Mein Leben wagt “ich drum): ‘Tieland’/(d” Albert)

Lohengrin’s farewell to Elsa: (“Lohengrin”)/(Richard Wagner)

Lohengrin’s farewell to Elsa: (“Lohengrin”)/(Richard Wagner)

How cold is this knack: “La Bohème”/(Puccini)

How cold is this knack: “La Bohème”/(Puccini)

Oh, open your eyes, blind, beguiled men: “Figaro 's Wedding”/(W. A. Mozart)

Oh, open your eyes, blind, beguiled men: “Figaro 's Wedding”/(W. A. Mozart)

Gebet des Rienzi (Allmächt'ger Vater) : "Rienzi" / (Richard Wagner)

Gebet des Rienzi (Allmächt'ger Vater) : "Rienzi" / (Richard Wagner)

Standing girl/(Richard Strauss)

Standing girl/(Richard Strauss)

O Fürstin... : I. Teil; ("Tannhäuser", II. Akt) / (Rich. Wagner)

O Fürstin... : I. Teil; ("Tannhäuser", II. Akt) / (Rich. Wagner)

Foreplay and prologue of the opera “Der Bajazzo”: I. Teil/(R. Leoncavallo)

Foreplay and prologue of the opera “Der Bajazzo”: I. Teil/(R. Leoncavallo)

Donor of Desdemona: “Othello”/(G. Verdi). Text: A. Boito

Donor of Desdemona: “Othello”/(G. Verdi). Text: A. Boito

Abschied von den Bergen (Ich grüß' noch einmal) : "Tiefland" / (d'Albert)

Abschied von den Bergen (Ich grüß' noch einmal) : "Tiefland" / (d'Albert)

Hier an dem Herzen treu geborgen : "Carmen" / (Bizet)

Hier an dem Herzen treu geborgen : "Carmen" / (Bizet)

Schusterlied (Hans Sachs) : "Die Meistersinger von Nürnberg" / (Richard Wagner)

Schusterlied (Hans Sachs) : "Die Meistersinger von Nürnberg" / (Richard Wagner)

Mirror aria: (“Hoffmann’s stories”)/(Offenbach)

Mirror aria: (“Hoffmann’s stories”)/(Offenbach)

Cäcilie : (Op. 27) / (Richard Strauss)

Cäcilie : (Op. 27) / (Richard Strauss)

Dort vergiss leises Fleh'n süsses Kosen : "Figaro's Hochzeit" / (W. A. Mozart)

Dort vergiss leises Fleh'n süsses Kosen : "Figaro's Hochzeit" / (W. A. Mozart)

Odin’s sea ride/Loewe

Odin’s sea ride/Loewe

Arie of the woman Fluth: “The funny women of Windsor”; II part/(O. Nicolai)

Arie of the woman Fluth: “The funny women of Windsor”; II part/(O. Nicolai)

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