thumb|270px|Girolamo Siciolante da Sermoneta, Annunciation thumb|270px|Santi di Tito, Vision of St Thomas Aquinas (1593) thumb|Lamentation of Christ|Lamentation, [[Scipione Pulzone, 1593]]
thumb|270px|Girolamo Siciolante da Sermoneta, Annunciation thumb|270px|Santi di Tito, Vision of St Thomas Aquinas (1593) thumb|Lamentation of Christ|Lamentation, [[Scipione Pulzone, 1593]]
'Counter-Maniera or Counter-Mannerism' (variously capitalized and part-italicized) is a term in art history for a trend identified by some art historians in 16th-century Italian painting that forms a sub-category or phase of Mannerism, the dominant movement in Italian art between about 1530 and 1590. Counter-Maniera or Counter-Mannerism reacted against the artificiality of the second generation of Mannerist painters in the second half of the 16th century. It was in part due to artists wishing to follow the vague prescriptions for clarity and simplicity in art issued by the Council of Trent in its final session in 1563, and represented a rejection of the distortions and artificiality of high Mannerist style, and a partial return to the classicism and balance of High Renaissance art, with "clarity in formal order and legibility in content".
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